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PREVIOUSLY ON

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LOVE and HIP-HOP: ATLANTA...

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DID YOU TELL SOMEBODY

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THAT YOU WAS MISSING

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THE [bleep],

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SOMETHING LIKE THAT?

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I DON'T GOT TO MISS THE

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[bleep].

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THE [bleep] MISSES ME.

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[shouts indistinctly]

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all: OH!

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SECURITY!

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ESCORT THAT BITCH OUT OF MY

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CLUB!

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FOR YOU TO HAVE MAKEUP

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ON THE INSIDE OF YOUR COLLAR

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MEANS YOU HAD TO HAVE HAD

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LIPSTICK ON YOUR NECK.

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SO BITCHES IS KISSIN'

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ON YOUR NECK?

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EVIDENTLY THERE WERE.

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WE NEED SOME SPACE.

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YOU NEED TO MOVE OUT.

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NIKKO.

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FREAKO.

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OH, PORN STAR.

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YOU SAID FREAKO.

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YEAH, HE'S A PORN STAR.

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WE MIGHT HAVE HUNG OUT,

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LIKE, BACK IN THE DAY.

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WAIT, HOLD IT.

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[laughs]

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ALTHEA,

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SHE'S A SINGER OR SOMETHING

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LIKE THAT.

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YEAH, YEAH, I KNOW ALTHEA.

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THAT'S MY LEFTOVERS.

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SHE DONE WENT FROM ME TO STEVIE.

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WHOA, WHOA, WHOA, WHOA.

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SHE'S LOVING THE CREW?

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SHE'S MAKING HER ROUNDS.

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HE HAD A DNA TEST.

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WHAT?

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YEAH.

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DNA TEST, LIKE, WITH CARTER?

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I MEAN, I WAS JUST SHOCKED.

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SOMETHING IS WRONG WITH HIM.

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YOU ARE THE BEST THING

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I'VE EVER CAME ACROSS.

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I LOVE YOU TO DEATH,

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AND I'M SORRY.

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COME ON, MAN.

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THIS [bleep]'S NOT FAIR.

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IT AIN'T FAIR.

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I'M GONNA GO AROUND

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TO SOME OTHER STUDIOS.

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THERE'S A LOT OF PEOPLE WORKING.

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I FEEL LIKE I NEED TO BE

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DOING ALL OF THAT.

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I WAS GONNA TELL YOU

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THAT I JUST FINISHED SOMETHING

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FOR YOU.

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DID YOU REALLY?

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YEAH.

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♪ THIS IS THE LIFE

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♪ YEAH

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♪ THIS IS THE LIFE

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♪ 'SUP

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♪ THIS IS THE LIFE

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♪ HUH

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♪ THIS IS THE LIFE

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♪ HUH

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♪ THERE AIN'T NOTHING LIKE

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♪ HIP-HOP MUSIC

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♪ MUSIC

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♪ THIS IS THE LIFE

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♪ IF I COULD

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♪ I'D TAKE IT BACK

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♪ IF I COULD TURN

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♪ THE HANDS OF TIME

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♪ IT WOULDN'T BE LIKE THAT

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♪ MIXED EMOTIONS

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♪ AND WHEN THE LIGHTS GO OUT

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♪ IS WHEN I REALIZE

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♪ I WISH THAT YOU WOULD STAY

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♪ MIXED EMOTIONS

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♪

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WHAT'S UP, BOO?

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HEY.

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I SEE Y'ALL OVER HERE

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WITH SOME MIXED EMOTIONS.

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THAT'S RIGHT.

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I AM STILL MAD THAT

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MISS HOTHEA, BENZINO'S NEW

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BITCH, IS MAKING US LOOK BAD

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ON THE GRAND OPENING.

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I EVEN FIND THAT SHE'S SLEEPING

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AROUND WITH NIKKO.

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BUT I'M HERE TO SEE

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IF MISS HOTHEA IS REALLY

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A SINGER AND SHE REALLY HAD

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A DEAL.

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BITCH MIGHT JUST BE A GROUPIE

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THAT HANG OUT IN THE STUDIO

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SMASHING PRODUCERS.

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SO THAT'S PRETTY COOL, THOUGH.

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WHO PRODUCED THAT FOR YOU?

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BENZINO HANDLES ALL MY MUSIC.

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I MEAN, I DON'T REALLY

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REMEMBER BENZINO HAVING ANY

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GREAT HITS.

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MM-HMM.

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BUT, HEY.

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NO, BUT HE'S BEEN INVOLVED

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IN HIP-HOP FOR A REALLY,

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REALLY LONG TIME.

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I MEAN, I KNOW HE HAD

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THE SPORTS MAGAZINE, RIGHT?

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BUT YOU KNOW ABOUT THE MUSIC

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PART.

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I DON'T KNOW ABOUT ALL OF THAT.

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I WORK WITH MY HUSBAND ALL THE

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TIME TOO, AND HE PRODUCES

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ALL MY MUSIC.

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HOW IS THAT, WORKING

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IN THE STUDIO WITH HIM?

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WORKING WITH MY HUSBAND

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IS A LITTLE BIT HARDER

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BECAUSE HE'S SO STRICT.

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LIKE, HE'LL MAKE ME DO IT,

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LIKE, 20 TIMES.

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NOW, I DID THIS IN ONE NIGHT,

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SO I'M EXCITED.

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WE GOT TO DO SOMETHING

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TOGETHER, BUT--

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YOU KNOW I'M KIND OF A

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DOLO CHICK.

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OKAY.

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NOBODY CARES THAT YOU CAN

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FINISH ONE WACK-ASS SONG

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IN ONE NIGHT.

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WHEN YOUR MAN GOT FOUR GRAMMYS

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AND NOT A MAGAZINE,

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THEN YOU CAN COME HOLLER AT ME.

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TILL THEN, GET BACK IN THE

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BOOTH, 'CAUSE YOU NEED MORE

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WORK.

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SO ARE YOU IN LOVE?

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I'M IN LOVE.

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AND I'M HAPPY THAT I GOT

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SOMEBODY THAT'S INTO ME,

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YOU KNOW WHAT I'M SAYING?

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AND--

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BUT YOU KNOW BENZINO

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FEELS LIKE EVERYBODY'S THE ONE.

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'CAUSE HE FEEL LIKE KARLIE REDD

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WAS THE ONE TOO.

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BUT TO FIND A GUY WHO IS

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REALLY FAITHFUL...

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SO FAR, YOU NEVER WENT

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THROUGH NO EPISODES?

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NOT WITH HIM.

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WELL, NO, LET ME TAKE THAT BACK.

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YOU REMEMBER AT THE GRAND

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OPENING?

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YOU WAS ACTING LIKE

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A REAL SCAVENGER AT THAT THING.

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WHAT YOU MEAN?

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YOU WAS THROWING DRINKS

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EVERYWHERE.

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HOW YOU GONNA [bleep] UP--

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HOW YOU GONNA [bleep] UP

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THE FAMILY BUSINESS

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ON THE FIRST DAY OPENING?

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FIRST OF ALL,

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IT SLIPPED OUT OF MY HAND.

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YOU KNOW WHAT I'M SAYING?

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SLIPPED OUT OF MY HAND.

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SHE WAS TALKING A LOT OF JUNK.

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MOTHER[bleep] ALWAYS SEEM

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TO LIKE TO HOLD ON TO THINGS.

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I MEAN, WHEN I MET HIM,

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HE HAD A COUPLE OF GIRLS

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IN HIS PHONE AND WAS PROBABLY

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DATING A COUPLE GIRLS.

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BUT I DON'T THINK NOTHING,

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YOU KNOW--

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IT'S HARD TO LEAVE

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OLD HABITS IN THE PAST,

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YOU KNOW WHAT I'M SAYING?

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HE KNOW NOT TO [bleep]

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WITH ME.

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LET'S JUST SAY THAT.

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YOU KNOW, I MET YOU

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THROUGH BENZINO,

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AND I LOVE BENZINO AT THE END

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OF THE DAY 'CAUSE HE'S MY DUDE'S

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FRIEND.

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YOU KNOW, BUT IT IS WHAT IT IS.

200
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YOU KNOW, YOU GOT TO JUST MAKE

201
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SURE YOU PLAY YOUR CARDS RIGHT.

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I'M SURE THAT YOU WILL KNOW

203
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EXACTLY WHAT YOU NEED TO DO.

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YOU AIN'T NO DUMMY.

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MM-HMM.

206
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I'M SURE YOU'RE NOT GONNA

207
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JUST SIT AROUND AND GET PLAYED.

208
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IF ANYTHING, YOU GONNA BE DOING

209
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THE PLAYING, AIN'T YOU?

210
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YOU KNOW, THIS BITCH ALTHEA

211
00:04:17,257 --> 00:04:18,810
THINKS SHE SO SLICK.

212
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AT THE END OF THE DAY,

213
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EVERYBODY GOT A PAST.

214
00:04:20,260 --> 00:04:21,916
AND DON'T YOU THINK

215
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NOBODY KNOWS ABOUT YOUR PAST,

216
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'CAUSE EVERYBODY KNOWS.

217
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TRUST THAT.

218
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MM.

219
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YEAH, YOU KNOW SOMETHING

220
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I DON'T KNOW.

221
00:04:29,199 --> 00:04:29,855
I KNOW A LOT OF THINGS

222
00:04:29,855 --> 00:04:30,960
THAT YOU DON'T KNOW.

223
00:04:30,960 --> 00:04:32,410
'CAUSE YOU'RE, LIKE...

224
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IF JOSELINE THINKS SHE KNOWS

225
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SOMETHING ABOUT ME,

226
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THEN SHE SHOULD JUST SAY IT.

227
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WHY WE GOT TO SIT HERE

228
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AND PLAY THESE GAMES?

229
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LOOK, I'M JUST GIVING YOU

230
00:04:38,416 --> 00:04:39,140
GOOD ADVICE.

231
00:04:39,140 --> 00:04:39,796
MM-HMM.

232
00:04:39,796 --> 00:04:43,248
I AIN'T TRYING TO BE FUNNY.

233
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I APPRECIATE IT.

234
00:04:48,943 --> 00:04:51,325
YEAH, GIRL.

235
00:04:51,325 --> 00:04:53,154
GET OUR MATTRESS SHOP ON.

236
00:04:53,154 --> 00:04:54,224
[chuckles]

237
00:04:54,224 --> 00:04:55,191
YEAH, THEY GOT THE GOOD STUFF

238
00:04:55,191 --> 00:04:55,950
IN HERE.

239
00:04:55,950 --> 00:04:57,124
SO WHAT ARE WE HERE FOR?

240
00:04:57,124 --> 00:04:58,056
WE'RE LOOKING FOR THE

241
00:04:58,056 --> 00:05:00,472
CADILLAC OF ALL MATTRESSES.

242
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A KING SIZE.

243
00:05:02,371 --> 00:05:03,510
SOFT.

244
00:05:03,510 --> 00:05:04,614
SEXY.

245
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HOLD UP.

246
00:05:05,339 --> 00:05:06,306
LET ME DO SOMETHING REAL QUICK.

247
00:05:06,306 --> 00:05:07,617
WHAT YOU NEED'S SOFT.

248
00:05:07,617 --> 00:05:08,446
FOR REAL, KARLIE?

249
00:05:08,446 --> 00:05:09,170
[groaning]

250
00:05:09,170 --> 00:05:10,171
OOH, KARLIE.

251
00:05:10,171 --> 00:05:11,034
[chuckling]

252
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I WASN'T EXPECTING TO GO

253
00:05:11,932 --> 00:05:13,002
TO A MATTRESS STORE

254
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WHEN KALENNA ASKED ME

255
00:05:13,796 --> 00:05:15,142
TO GO WITH HER SHOPPING.

256
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BUT WHATEVER.

257
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SHE'S A FUN CHICK,

258
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AND SHE DEFINITELY DID THE

259
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TURN-UP WHEN WE WENT

260
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TO NEW ORLEANS.

261
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SO WHAT ARE YOU GETTING TODAY?

262
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LIKE, WHAT--

263
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WELL, I MEAN, YOU KNOW,

264
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I HAVE A STUDIO.

265
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I KNOW.

266
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I KNOW ABOUT THE STUDIO.

267
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BUT I LIVE THERE.

268
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YOU KNOW, I GET TO ROLL OUT THE

269
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BED AND CREATE.

270
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THIS IS FOR THE LIVE AND WORK

271
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SPACE, AND IT GOTS

272
00:05:30,606 --> 00:05:31,365
TO BE COMFORTABLE.

273
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IT'S JUST ME AND TONY RIGHT NOW,

274
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BUT I GOT A LOT OF PEOPLE

275
00:05:34,989 --> 00:05:36,059
THAT BE IN AND OUT THE BED

276
00:05:36,059 --> 00:05:36,715
WITH US.

277
00:05:36,715 --> 00:05:37,647
YOU UNDERSTAND WHAT I'M SAYING?

278
00:05:37,647 --> 00:05:38,407
WAIT, WAIT, WAIT, WAIT.

279
00:05:38,407 --> 00:05:39,166
I MEAN, YOU KNOW, I GOT

280
00:05:39,166 --> 00:05:40,236
CHILDREN, AND THEN I GOT

281
00:05:40,236 --> 00:05:41,237
MY BEST FRIEND THAT COMES

282
00:05:41,237 --> 00:05:41,927
EVERY NOW AND THEN.

283
00:05:41,927 --> 00:05:42,963
YOU HAVE YOUR BEST FRIEND

284
00:05:42,963 --> 00:05:43,722
THAT COMES...

285
00:05:43,722 --> 00:05:44,413
YEAH.

286
00:05:44,413 --> 00:05:45,448
IN THE BED WITH YOU?

287
00:05:45,448 --> 00:05:46,346
SOMETIMES.

288
00:05:46,346 --> 00:05:47,139
SOMETIMES?

289
00:05:47,139 --> 00:05:47,864
YEAH.

290
00:05:47,864 --> 00:05:49,072
AND TONY'S COOL WITH THIS?

291
00:05:49,072 --> 00:05:50,073
I MEAN, YOU GOT TWO BIG-BOOTY

292
00:05:50,073 --> 00:05:51,005
CHICKS WALKING AROUND

293
00:05:51,005 --> 00:05:52,179
THIS MOTHER[bleep] LIKE--

294
00:05:52,179 --> 00:05:53,214
WELL, YOU'D BE HAPPY TOO.

295
00:05:53,214 --> 00:05:53,939
WHAT?

296
00:05:53,939 --> 00:05:54,837
I KNEW KALENNA WAS

297
00:05:54,837 --> 00:05:55,631
A TURN-UP GIRL,

298
00:05:55,631 --> 00:05:56,839
BUT I DIDN'T KNOW SHE WAS LIVING

299
00:05:56,839 --> 00:05:57,874
IT LIKE THAT.

300
00:05:57,874 --> 00:05:58,910
GOOD FOR HER AND HER MAN

301
00:05:58,910 --> 00:06:01,188
FOR KEEPING IT FRESH AND SEXY.

302
00:06:01,188 --> 00:06:02,362
YOU MAKING MOVES LIKE THAT?

303
00:06:02,362 --> 00:06:03,017
NO, CLEAR THIS.

304
00:06:03,017 --> 00:06:04,087
LET ME BE CLEAR.

305
00:06:04,087 --> 00:06:04,847
PLEASE, CLEAR THIS UP.

306
00:06:04,847 --> 00:06:05,744
ME AND ASHLEY HAVE BEEN

307
00:06:05,744 --> 00:06:07,228
FRIENDS SINCE I WAS 18,

308
00:06:07,228 --> 00:06:07,919
19 YEARS OLD.

309
00:06:07,919 --> 00:06:09,092
SHE WAS MY BEST FRIEND.

310
00:06:09,092 --> 00:06:09,852
GOT IT.

311
00:06:09,852 --> 00:06:10,887
BUT AT THE TIME, I WAS GOING

312
00:06:10,887 --> 00:06:12,441
THROUGH MY OWN THING

313
00:06:12,441 --> 00:06:14,132
ABOUT GIRLS AND BOYS.

314
00:06:14,132 --> 00:06:15,375
YOU KNOW, I WAS STILL YOUNG.

315
00:06:15,375 --> 00:06:16,065
YEAH.

316
00:06:16,065 --> 00:06:17,307
AND ASHLEY WAS REALLY HOT.

317
00:06:17,307 --> 00:06:18,481
SO YOU'RE ATTRACTED TO YOUR

318
00:06:18,481 --> 00:06:19,379
BEST FRIEND?

319
00:06:19,379 --> 00:06:20,449
I THINK WOMEN ARE BEAUTIFUL,

320
00:06:20,449 --> 00:06:21,760
AND SHE WAS A BEAUTIFUL WOMAN

321
00:06:21,760 --> 00:06:22,451
WHILE I WAS GOING THROUGH

322
00:06:22,451 --> 00:06:23,141
MY THING.

323
00:06:23,141 --> 00:06:24,107
BUT WE'RE STILL BEST FRIENDS,

324
00:06:24,107 --> 00:06:25,557
SO TONY RESPECTS THE FACT

325
00:06:25,557 --> 00:06:27,076
THAT I HAVE A BEST FRIEND

326
00:06:27,076 --> 00:06:27,904
THAT HOLDS ME DOWN.

327
00:06:27,904 --> 00:06:28,698
OKAY.

328
00:06:28,698 --> 00:06:29,665
AND SO THE THINGS THAT

329
00:06:29,665 --> 00:06:31,080
I CAN'T TALK TO TONY ABOUT,

330
00:06:31,080 --> 00:06:32,219
I CAN TALK TO HER ABOUT.

331
00:06:32,219 --> 00:06:33,703
GIRL, WHAT'S HER NAME?

332
00:06:33,703 --> 00:06:34,463
ASHLEY.

333
00:06:34,463 --> 00:06:35,222
OH, MY GOSH.

334
00:06:35,222 --> 00:06:36,361
IT'S ALWAYS BEEN MY DREAM

335
00:06:36,361 --> 00:06:39,019
TO HAVE A WIFE AND A HUSBAND,

336
00:06:39,019 --> 00:06:41,987
BUT I KNOW THAT THAT DON'T

337
00:06:41,987 --> 00:06:43,299
WORK LIKE THAT.

338
00:06:43,299 --> 00:06:44,611
BUT DAMN, IT FEEL GOOD

339
00:06:44,611 --> 00:06:45,474
TO HAVE A BEST FRIEND

340
00:06:45,474 --> 00:06:47,234
WITH A FAT ASS THAT'S BEAUTIFUL,

341
00:06:47,234 --> 00:06:48,477
THAT SMILES PRETTY.

342
00:06:48,477 --> 00:06:49,892
OH.

343
00:06:49,892 --> 00:06:51,376
SO, MS. REDD,

344
00:06:51,376 --> 00:06:52,412
I HAVE TO FIND ME SOMETHING

345
00:06:52,412 --> 00:06:53,274
TODAY.

346
00:06:53,274 --> 00:06:54,241
YES.

347
00:06:54,241 --> 00:06:55,000
I'M ABOUT TO HAVE ASHLEY

348
00:06:55,000 --> 00:06:55,760
COME DOWN.

349
00:06:55,760 --> 00:06:56,761
I HAVEN'T TOLD TONY YET.

350
00:06:56,761 --> 00:06:57,796
I HAVE ONE QUESTION FOR YOU.

351
00:06:57,796 --> 00:06:58,590
HMM?

352
00:06:58,590 --> 00:06:59,971
WHO DO YOU LOVE?

353
00:06:59,971 --> 00:07:01,144
I LOVE MY HUSBAND.

354
00:07:01,144 --> 00:07:01,938
ARE YOU IN LOVE WITH ASHLEY?

355
00:07:01,938 --> 00:07:02,698
I LOVE HER LIKE A BEST

356
00:07:02,698 --> 00:07:03,457
FRIEND; I'M NOT IN LOVE WITH

357
00:07:03,457 --> 00:07:05,114
ASHLEY LIKE I AM TONY.

358
00:07:05,114 --> 00:07:06,080
MM.

359
00:07:06,080 --> 00:07:06,978
YOU GONNA MAKE ME CHANGE

360
00:07:06,978 --> 00:07:08,082
MY LIFESTYLE IN A MINUTE.

361
00:07:08,082 --> 00:07:08,945
I MEAN, AIN'T NOTHING WRONG

362
00:07:08,945 --> 00:07:09,601
WITH IT.

363
00:07:09,601 --> 00:07:10,430
I FEEL LIKE YOU GOT TO DO

364
00:07:10,430 --> 00:07:11,534
WHAT MAKES YOU HAPPY.

365
00:07:11,534 --> 00:07:12,639
OKAY, 'CAUSE I JUST--

366
00:07:12,639 --> 00:07:13,536
KARLIE, YOU WANT--

367
00:07:13,536 --> 00:07:14,399
I'M LIVING VICARIOUSLY

368
00:07:14,399 --> 00:07:15,262
THROUGH YOU RIGHT NOW.

369
00:07:15,262 --> 00:07:16,125
ARE YOU LIVING VICARIOUSLY,

370
00:07:16,125 --> 00:07:16,953
OR YOU WANT TO LIVE WITH ME

371
00:07:16,953 --> 00:07:17,609
ONE NIGHT?

372
00:07:17,609 --> 00:07:18,299
I THINK I MIGHT WANT

373
00:07:18,299 --> 00:07:19,059
THIS TYPE OF LIFESTYLE.

374
00:07:19,059 --> 00:07:19,784
YOU WANT ONE NIGHT?

375
00:07:19,784 --> 00:07:20,888
AND WHAT WOULD ASHLEY SAY

376
00:07:20,888 --> 00:07:23,063
ABOUT THAT?

377
00:07:23,063 --> 00:07:24,202
SHE'D PROBABLY BE PISSED.

378
00:07:24,202 --> 00:07:24,858
REALLY?

379
00:07:24,858 --> 00:07:25,548
YOU AIN'T NEVER BEEN

380
00:07:25,548 --> 00:07:26,273
WITH NO GIRL?

381
00:07:26,273 --> 00:07:27,619
NO, NOT LIKE THAT.

382
00:07:27,619 --> 00:07:31,796
I THINK THAT'S HOW YOU LEARN.

383
00:07:31,796 --> 00:07:32,693
OH, MY GOSH.

384
00:07:32,693 --> 00:07:34,177
♪ THIS AIN'T LOVE

385
00:07:34,177 --> 00:07:36,041
♪ BABY, BABY, WHAT WE DOING

386
00:07:36,041 --> 00:07:37,249
♪ WHY YOU FREAKING ME

387
00:07:37,249 --> 00:07:39,804
♪ LIKE YOU LOVE ME

388
00:07:39,804 --> 00:07:44,912
♪

389
00:07:44,912 --> 00:07:47,467
THAT BREAK WAS TOO LONG, MAN.

390
00:07:47,467 --> 00:07:49,883
WELL, I MEAN...

391
00:07:49,883 --> 00:07:50,953
BUT I GET IT.

392
00:07:50,953 --> 00:07:51,988
THINGS HAPPEN.

393
00:07:51,988 --> 00:07:53,265
KIRK AND I HAVE BEEN THROUGH

394
00:07:53,265 --> 00:07:55,198
SO MUCH, AND HIM COMING DOWN

395
00:07:55,198 --> 00:07:57,373
TO NEW ORLEANS TO APOLOGIZE,

396
00:07:57,373 --> 00:07:59,271
I JUST DECIDED IT'S TIME

397
00:07:59,271 --> 00:08:00,376
TO STOP FIGHTING.

398
00:08:00,376 --> 00:08:01,688
IT'S GONNA TAKE SOME TIME

399
00:08:01,688 --> 00:08:03,275
TO GET BACK TO THAT PLACE

400
00:08:03,275 --> 00:08:04,518
WHERE WE ONCE WERE.

401
00:08:04,518 --> 00:08:06,278
BUT I WILL SAY,

402
00:08:06,278 --> 00:08:07,176
WE DEFINITELY STARTING OFF

403
00:08:07,176 --> 00:08:08,142
WITH A BANG.

404
00:08:08,142 --> 00:08:09,316
I WILL SAY I LIKE MY RING

405
00:08:09,316 --> 00:08:10,800
RENOVATION TOO.

406
00:08:10,800 --> 00:08:11,732
I DON'T WANT TO SEE YOU

407
00:08:11,732 --> 00:08:12,561
WITHOUT IT ANYMORE.

408
00:08:12,561 --> 00:08:14,666
WELL, WE GOT WORK TO DO.

409
00:08:14,666 --> 00:08:16,703
IT'S NOT JUST US.

410
00:08:16,703 --> 00:08:18,118
IT'S OUR FAMILY.

411
00:08:18,118 --> 00:08:19,533
IT'S...

412
00:08:19,533 --> 00:08:20,534
MY MOM, YOU KNOW WHAT I MEAN?

413
00:08:20,534 --> 00:08:21,708
YEAH, YOUR MOM,

414
00:08:21,708 --> 00:08:23,779
THE BABY KISSER,

415
00:08:23,779 --> 00:08:26,229
THE BIKE KILLER,

416
00:08:26,229 --> 00:08:28,646
THE GROUCHY OLD WOMAN.

417
00:08:28,646 --> 00:08:29,819
ARE YOU GONNA JUST BE

418
00:08:29,819 --> 00:08:31,580
MAD ABOUT THAT FOREVER?

419
00:08:31,580 --> 00:08:33,202
MOST OF ALL, I CARE ABOUT US

420
00:08:33,202 --> 00:08:34,444
AS A FAMILY,

421
00:08:34,444 --> 00:08:35,515
US BEING RIGHT,

422
00:08:35,515 --> 00:08:36,446
AND I'M WILLING TO DO

423
00:08:36,446 --> 00:08:37,171
WHAT I GOT TO DO

424
00:08:37,171 --> 00:08:37,931
FOR THE FAMILY.

425
00:08:37,931 --> 00:08:39,277
I'LL SIT DOWN WITH YOUR MAMA,

426
00:08:39,277 --> 00:08:40,623
BUT IF SHE START BARKING

427
00:08:40,623 --> 00:08:41,969
AND BEING THAT OTHER PERSON,

428
00:08:41,969 --> 00:08:43,177
DON'T EXPECT ME JUST TO KISS

429
00:08:43,177 --> 00:08:43,833
HER BUTT.

430
00:08:43,833 --> 00:08:45,904
I JUST WANT US TO MAYBE TAKE

431
00:08:45,904 --> 00:08:47,354
HER OUT TO DINNER AND JUST SIT

432
00:08:47,354 --> 00:08:48,320
DOWN AND TALK TO HER, LETTING

433
00:08:48,320 --> 00:08:49,874
HER KNOW WE KIND OF MENDING OUR

434
00:08:49,874 --> 00:08:51,116
RELATIONSHIP.

435
00:08:51,116 --> 00:08:52,842
AND I WANT TO TRY TO GET Y'ALL

436
00:08:52,842 --> 00:08:53,912
ON A GOOD PAGE.

437
00:08:53,912 --> 00:08:56,156
FOR YOU, I WILL DO THAT.

438
00:08:56,156 --> 00:08:56,812
I GOT YOU.

439
00:08:56,812 --> 00:08:58,503
FOR YOU.

440
00:08:58,503 --> 00:08:59,711
I REALLY LOVE YOU.

441
00:08:59,711 --> 00:09:00,470
WAIT.

442
00:09:00,470 --> 00:09:01,437
WAIT, WAIT, WAIT, WAIT, WAIT.

443
00:09:01,437 --> 00:09:02,818
I GOT TO GET--

444
00:09:02,818 --> 00:09:05,130
I GOT TO GRAB THIS.

445
00:09:05,130 --> 00:09:06,511
OOH, [bleep].

446
00:09:06,511 --> 00:09:07,339
[laughing]

447
00:09:07,339 --> 00:09:08,133
OH.

448
00:09:08,133 --> 00:09:08,962
I'M EXCITED.

449
00:09:08,962 --> 00:09:10,515
SEX TAPE IS COMING OUT.

450
00:09:10,515 --> 00:09:11,551
WE COULD TAKE THIS ALL

451
00:09:11,551 --> 00:09:12,241
THE WAY TO THE TOP.

452
00:09:12,241 --> 00:09:13,000
YEAH.

453
00:09:13,000 --> 00:09:14,554
THE ONLY WAY WE GONNA WIN

454
00:09:14,554 --> 00:09:16,003
IS IF WE CAN GET OUR PERSONAL

455
00:09:16,003 --> 00:09:16,866
[bleep] INTACT.

456
00:09:16,866 --> 00:09:17,833
FOR ALL I KNOW, SHE TRYING

457
00:09:17,833 --> 00:09:18,627
TO CATCH THE BIG FISH.

458
00:09:18,627 --> 00:09:19,697
I SEEN HER ONCE OR TWICE

459
00:09:19,697 --> 00:09:20,732
IN THE STREETS, BUT--

460
00:09:20,732 --> 00:09:21,422
YOU PUT YOUR [bleep]

461
00:09:21,422 --> 00:09:22,562
IN HER [bleep]?

462
00:09:22,562 --> 00:09:24,736
ASHLEY, WE ABOUT TO TURN UP.

463
00:09:24,736 --> 00:09:27,636
AH!

464
00:09:27,636 --> 00:09:39,406
THAT'S ASS, ATLANTA.

465
00:09:39,406 --> 00:09:40,372
I HAVEN'T SEEN NIKKO

466
00:09:40,372 --> 00:09:41,477
SINCE I PUT HIM OUT.

467
00:09:41,477 --> 00:09:42,616
AND HE'S SKATING ON THIN ICE

468
00:09:42,616 --> 00:09:43,375
WITH ME.

469
00:09:43,375 --> 00:09:44,342
I REALLY DON'T WANT TO BE

470
00:09:44,342 --> 00:09:45,585
SITTING HERE WITH HIM TODAY,

471
00:09:45,585 --> 00:09:46,586
BUT I KNEW I HAD TO HAVE

472
00:09:46,586 --> 00:09:47,276
THIS MEETING.

473
00:09:47,276 --> 00:09:48,139
THE TAPE RELEASE IS ONLY

474
00:09:48,139 --> 00:09:49,278
A COUPLE OF WEEKS AWAY,

475
00:09:49,278 --> 00:09:50,313
AND DAWN WANTS TO SIT

476
00:09:50,313 --> 00:09:51,729
AND DISCUSS A STRATEGY.

477
00:09:51,729 --> 00:09:53,006
I'M EXCITED.

478
00:09:53,006 --> 00:09:54,352
SEX TAPE IS COMING OUT.

479
00:09:54,352 --> 00:09:55,111
OH, GOD.

480
00:09:55,111 --> 00:09:56,665
WHAT'S WRONG?

481
00:09:56,665 --> 00:09:58,080
I'M JUST HAVING SOME

482
00:09:58,080 --> 00:10:00,461
RESERVATIONS ABOUT THIS TAPE,

483
00:10:00,461 --> 00:10:03,948
ABOUT EVERYTHING, ACTUALLY.

484
00:10:03,948 --> 00:10:05,501
THE CLOSER IT GETS TO THIS TAPE

485
00:10:05,501 --> 00:10:07,020
BEING RELEASED, THE MORE

486
00:10:07,020 --> 00:10:08,435
NERVOUS I GET.

487
00:10:08,435 --> 00:10:09,919
THAT'S WHY IT'S SO IMPORTANT

488
00:10:09,919 --> 00:10:11,334
FOR ME TO TRUST AND RELY

489
00:10:11,334 --> 00:10:12,370
ON NIKKO.

490
00:10:12,370 --> 00:10:13,543
I KNOW IT MAY LOOK BAD.

491
00:10:13,543 --> 00:10:15,407
YOU FACING MORALS AND ETHICS.

492
00:10:15,407 --> 00:10:16,719
WHO CARES?

493
00:10:16,719 --> 00:10:17,478
THIS IS SOMETHING YOU CAN

494
00:10:17,478 --> 00:10:18,548
CAPITALIZE OFF OF.

495
00:10:18,548 --> 00:10:19,549
I KNOW YOU MAY FEEL

496
00:10:19,549 --> 00:10:20,516
A LITTLE INSECURE.

497
00:10:20,516 --> 00:10:21,897
DON'T WORRY ABOUT IT.

498
00:10:21,897 --> 00:10:22,587
AND WE NEED TO BE PROUD

499
00:10:22,587 --> 00:10:23,588
OF WHO WE ARE.

500
00:10:23,588 --> 00:10:24,347
WE CAN TAKE THIS ALL THE WAY

501
00:10:24,347 --> 00:10:25,038
TO THE TOP.

502
00:10:25,038 --> 00:10:25,935
YEAH.

503
00:10:25,935 --> 00:10:27,143
PAUSE.

504
00:10:27,143 --> 00:10:28,800
THE ONLY WAY WE GONNA WIN

505
00:10:28,800 --> 00:10:30,112
IS IF WE CAN GET OUR PERSONAL

506
00:10:30,112 --> 00:10:31,320
[bleep] INTACT.

507
00:10:31,320 --> 00:10:32,355
BELIEVE THAT.

508
00:10:32,355 --> 00:10:33,184
WE JUST HAD OUR ANNIVERSARY

509
00:10:33,184 --> 00:10:34,875
PARTY, AND THEN, YOU KNOW--

510
00:10:34,875 --> 00:10:35,600
EXACTLY.

511
00:10:35,600 --> 00:10:36,636
EVERYTHING WAS PERFECT.

512
00:10:36,636 --> 00:10:37,706
I THOUGHT WE WAS JUST--

513
00:10:37,706 --> 00:10:38,465
LISTEN.

514
00:10:38,465 --> 00:10:39,639
I CAME IN ONE NIGHT.

515
00:10:39,639 --> 00:10:41,295
SHE FOUND SOME MAKEUP

516
00:10:41,295 --> 00:10:42,503
ON A T-SHIRT OF MINE.

517
00:10:42,503 --> 00:10:43,297
SO WE HAVING THAT.

518
00:10:43,297 --> 00:10:44,264
THAT'S WHERE WE AT RIGHT NOW.

519
00:10:44,264 --> 00:10:46,059
BELIEVE ME, I UNDERSTAND YOU.

520
00:10:46,059 --> 00:10:47,370
BUT YOU GOT TO FOCUS

521
00:10:47,370 --> 00:10:48,475
ON YOUR BUSINESS.

522
00:10:48,475 --> 00:10:50,753
BECAUSE ONCE YOU DO,

523
00:10:50,753 --> 00:10:51,512
YOU NOT GONNA BE WORRYING

524
00:10:51,512 --> 00:10:52,548
ABOUT WHAT NIKKO DOING.

525
00:10:52,548 --> 00:10:53,480
WE GETTING MONEY.

526
00:10:53,480 --> 00:10:54,170
THAT'S WHAT WE GETTING.

527
00:10:54,170 --> 00:10:55,171
A WHOLE LOT OF IT.

528
00:10:55,171 --> 00:10:55,862
THAT'S IT.

529
00:10:55,862 --> 00:10:57,622
IT'S ALWAYS [bleep] MONEY

530
00:10:57,622 --> 00:10:58,658
WITH YOU.

531
00:10:58,658 --> 00:10:59,382
WHEN THEY SEE THE WAY

532
00:10:59,382 --> 00:11:00,280
I'M PUTTING IT DOWN IN THIS,

533
00:11:00,280 --> 00:11:02,040
WE GONNA HAVE A SEQUEL.

534
00:11:02,040 --> 00:11:03,076
A SEQUEL?

535
00:11:03,076 --> 00:11:04,629
IS HE KIDDING ME?

536
00:11:04,629 --> 00:11:05,665
IT SEEMS LIKE HE'S PLOTTING

537
00:11:05,665 --> 00:11:07,736
SOME KIND OF PORNOGRAPHIC EMPIRE

538
00:11:07,736 --> 00:11:08,978
OR SOMETHING.

539
00:11:08,978 --> 00:11:10,048
I DON'T EVEN KNOW IF I WANT

540
00:11:10,048 --> 00:11:11,153
TO EVEN MOVE FORWARD

541
00:11:11,153 --> 00:11:12,188
WITH YOUR [bleep] ASS

542
00:11:12,188 --> 00:11:13,224
FROM THE BULL[bleep] THAT YOU

543
00:11:13,224 --> 00:11:14,259
BEEN DOING.

544
00:11:14,259 --> 00:11:15,191
WAIT A MINUTE.

545
00:11:15,191 --> 00:11:16,399
RIGHT NOW, WE ABOUT TO MAKE

546
00:11:16,399 --> 00:11:17,400
A WHOLE LOT OF MONEY.

547
00:11:17,400 --> 00:11:18,125
AND HERE LIES THE

548
00:11:18,125 --> 00:11:19,575
MOTHER[bleep] PROBLEM.

549
00:11:19,575 --> 00:11:21,163
AND MEETING [bleep] ADJOURNED.

550
00:11:21,163 --> 00:11:22,371
I'M OUT OF HERE.

551
00:11:22,371 --> 00:11:23,027
PLEASE?

552
00:11:23,027 --> 00:11:24,442
NO, BECAUSE THIS IS MY ISSUE

553
00:11:24,442 --> 00:11:25,270
RIGHT HERE.

554
00:11:25,270 --> 00:11:26,720
I'M NOT DOING IT.

555
00:11:26,720 --> 00:11:27,652
NIKKO...

556
00:11:27,652 --> 00:11:28,308
THE THIRST IS TOO MUCH

557
00:11:28,308 --> 00:11:29,171
FOR ME.

558
00:11:29,171 --> 00:11:30,103
DID HE WANT ME TO PUT

559
00:11:30,103 --> 00:11:31,898
MY MOST PRIVATE MOMENTS

560
00:11:31,898 --> 00:11:33,693
ON TAPE JUST SO HE COULD

561
00:11:33,693 --> 00:11:35,177
EXPLOIT ME?

562
00:11:35,177 --> 00:11:36,109
YOU GOT TO KEEP HER FOCUSED

563
00:11:36,109 --> 00:11:37,455
AND YOU GOT TO KEEP HER HAPPY,

564
00:11:37,455 --> 00:11:38,801
BECAUSE IF WE DON'T,

565
00:11:38,801 --> 00:11:42,494
THIS [bleep] GONNA GO ALL BAD.

566
00:11:42,494 --> 00:11:43,288
♪ I JUST BOUGHT

567
00:11:43,288 --> 00:11:45,843
♪ A NEW BUGATTI

568
00:11:45,843 --> 00:11:49,225
♪ IT MUST BE ILLUMINATI

569
00:11:49,225 --> 00:11:53,436
♪ TELL 'EM NOT TO PRAY FOR ME

570
00:11:53,436 --> 00:11:54,403
ME AND MY HUSBAND, TONY,

571
00:11:54,403 --> 00:11:55,749
WE OWN OUR OWN STUDIO.

572
00:11:55,749 --> 00:11:57,233
WE DECIDED TO HAVE ARTISTS

573
00:11:57,233 --> 00:11:58,787
AND SONGWRITERS AND PRODUCERS

574
00:11:58,787 --> 00:11:59,822
SIGN TO US.

575
00:11:59,822 --> 00:12:00,961
AND WHEN YOU'RE BUILDING

576
00:12:00,961 --> 00:12:02,376
A COMPANY FROM GROUND UP,

577
00:12:02,376 --> 00:12:03,653
IT'S NOT EASY.

578
00:12:03,653 --> 00:12:04,378
♪ TELL 'EM NOT

579
00:12:04,378 --> 00:12:05,759
♪ TO PRAY FOR ME

580
00:12:05,759 --> 00:12:07,071
♪ SOON AS THE CHIME GO OFF

581
00:12:07,071 --> 00:12:07,727
HELLO.

582
00:12:07,727 --> 00:12:09,107
♪ SOON AS THE CHIME GO OFF

583
00:12:09,107 --> 00:12:09,970
♪ OOH

584
00:12:09,970 --> 00:12:11,972
[laughter]

585
00:12:11,972 --> 00:12:12,732
RIGHT NOW, I'M WORKING

586
00:12:12,732 --> 00:12:13,629
ON MY ALBUM.

587
00:12:13,629 --> 00:12:15,044
IT'S CALLED BLACK ORCHID.

588
00:12:15,044 --> 00:12:15,976
IT'S AMAZING.

589
00:12:15,976 --> 00:12:16,770
THE STUDIO [bleep]

590
00:12:16,770 --> 00:12:17,806
IS INSANE RIGHT NOW,

591
00:12:17,806 --> 00:12:18,979
SO I'M TRYING TO GET THIS RIGHT.

592
00:12:18,979 --> 00:12:19,877
WHEN YOU DONE DOWN HERE,

593
00:12:19,877 --> 00:12:20,532
CAN YOU COME UPSTAIRS

594
00:12:20,532 --> 00:12:21,188
FOR A SECOND?

595
00:12:21,188 --> 00:12:21,844
OF COURSE, BABY.

596
00:12:21,844 --> 00:12:22,742
ALL RIGHT, Y'ALL GET BACK

597
00:12:22,742 --> 00:12:23,639
TO Y'ALL PARTY.

598
00:12:23,639 --> 00:12:24,640
[laughs]

599
00:12:24,640 --> 00:12:27,056
TONY IS ALL ABOUT HIS BUSINESS.

600
00:12:27,056 --> 00:12:28,299
BUT I DON'T WANT TO FEEL LIKE

601
00:12:28,299 --> 00:12:30,059
THE ARTIST ALL THE TIME.

602
00:12:30,059 --> 00:12:31,336
I WANT SPARE TIME

603
00:12:31,336 --> 00:12:32,648
IN THE MIDST OF OUR GRIND.

604
00:12:32,648 --> 00:12:35,306
BUT TONY'S, LIKE, IN BOSS MODE.

605
00:12:35,306 --> 00:12:36,134
THAT RECORD DOWNSTAIRS

606
00:12:36,134 --> 00:12:37,135
IS BANANAS, YOU HEAR ME?

607
00:12:37,135 --> 00:12:38,412
IS THAT [bleep] CRAZY?

608
00:12:38,412 --> 00:12:39,448
YES, SIR.

609
00:12:39,448 --> 00:12:40,276
WHOO!

610
00:12:40,276 --> 00:12:41,622
YES, SIR.

611
00:12:41,622 --> 00:12:42,554
WHAT'S UP?

612
00:12:42,554 --> 00:12:44,798
WELL, ASHLEY IS COMING

613
00:12:44,798 --> 00:12:47,283
IN TOWN.

614
00:12:47,283 --> 00:12:48,629
FOR REAL?

615
00:12:48,629 --> 00:12:49,458
YEAH.

616
00:12:49,458 --> 00:12:50,735
KALENNA AND ASHLEY'S

617
00:12:50,735 --> 00:12:51,736
RELATIONSHIP, I TOTALLY

618
00:12:51,736 --> 00:12:52,806
ACCEPT IT.

619
00:12:52,806 --> 00:12:54,670
SHE'S LIKE MY HOMEBOY.

620
00:12:54,670 --> 00:12:56,085
WE COULD TALK ABOUT WOMEN

621
00:12:56,085 --> 00:12:56,776
TOGETHER.

622
00:12:56,776 --> 00:12:57,569
LIKE, DO YOU THINK THIS

623
00:12:57,569 --> 00:12:58,743
IS A GOOD TIME?

624
00:12:58,743 --> 00:13:00,296
YES, I DO.

625
00:13:00,296 --> 00:13:01,194
WE HAVEN'T PUT A RECORD OUT

626
00:13:01,194 --> 00:13:03,161
IN THREE YEARS.

627
00:13:03,161 --> 00:13:04,231
WE DON'T NEED NO DISTRACTIONS,

628
00:13:04,231 --> 00:13:04,991
FOR REAL, YO.

629
00:13:04,991 --> 00:13:05,819
WE GOT TO GET THIS [bleep]

630
00:13:05,819 --> 00:13:06,613
MOVING.

631
00:13:06,613 --> 00:13:07,269
BUT WHAT THAT GOT TO DO

632
00:13:07,269 --> 00:13:08,166
WITH ASHLEY COMING DOWN?

633
00:13:08,166 --> 00:13:09,443
BECAUSE ASHLEY ALWAYS COME

634
00:13:09,443 --> 00:13:10,962
DOWN AND TURN THE [bleep] UP.

635
00:13:10,962 --> 00:13:12,274
ASHLEY, SHE'S A PARTY GIRL.

636
00:13:12,274 --> 00:13:14,000
SHE LIKES TO TURN UP.

637
00:13:14,000 --> 00:13:14,863
YOU KNOW, AND THERE'S NOTHING

638
00:13:14,863 --> 00:13:15,691
WRONG WITH THAT.

639
00:13:15,691 --> 00:13:16,347
IT'S JUST THAT,

640
00:13:16,347 --> 00:13:17,555
WHERE WE AT RIGHT NOW,

641
00:13:17,555 --> 00:13:18,487
WE ON THE GRIND.

642
00:13:18,487 --> 00:13:19,315
I'M GONNA TURN UP

643
00:13:19,315 --> 00:13:20,696
LIKE WE ALWAYS DO,

644
00:13:20,696 --> 00:13:21,593
BUT I'M JUST SAYING, LIKE,

645
00:13:21,593 --> 00:13:22,663
I'M GONNA MAKE SURE THAT I'M

646
00:13:22,663 --> 00:13:23,803
FOCUSED TOO.

647
00:13:23,803 --> 00:13:24,734
LET ME TELL YOU SOMETHING.

648
00:13:24,734 --> 00:13:25,770
THE LAST TIME WE WAS

649
00:13:25,770 --> 00:13:27,254
[bleep] WITH ASHLEY,

650
00:13:27,254 --> 00:13:28,877
WE MISSED THREE DAYS' WORK.

651
00:13:28,877 --> 00:13:29,912
REALLY IT'S ABOUT US STICKING

652
00:13:29,912 --> 00:13:30,740
TO THESE DEADLINES.

653
00:13:30,740 --> 00:13:32,190
WE GOT MOTHER[bleep] OVERHEAD.

654
00:13:32,190 --> 00:13:33,226
WE GOT OVERHEAD?

655
00:13:33,226 --> 00:13:34,089
SHE GOT SUPER [bleep],

656
00:13:34,089 --> 00:13:35,297
SO WE GONNA MAKE IT WORK.

657
00:13:35,297 --> 00:13:36,470
IT NEED TO BE MORE OVERHEAD

658
00:13:36,470 --> 00:13:37,264
THAN SUPER [bleep].

659
00:13:37,264 --> 00:13:38,162
I'M NOT THE ONLY ONE

660
00:13:38,162 --> 00:13:39,301
SHE GONNA DISTRACT.

661
00:13:39,301 --> 00:13:40,164
OF COURSE I'M GONNA BE

662
00:13:40,164 --> 00:13:40,820
DISTRACTED.

663
00:13:40,820 --> 00:13:41,510
RIGHT.

664
00:13:41,510 --> 00:13:42,373
SHE'S IN FOR SOME [bleep],

665
00:13:42,373 --> 00:13:43,063
'CAUSE I GOT A TRICK

666
00:13:43,063 --> 00:13:43,926
FOR HER ASS.

667
00:13:43,926 --> 00:13:44,996
SO YOU HAPPY SHE COMING TOO.

668
00:13:44,996 --> 00:13:45,755
YEAH, I'M HAPPY.

669
00:13:45,755 --> 00:13:46,411
I'M HAPPY.

670
00:13:46,411 --> 00:13:47,205
SO ASHLEY IS COMING TO TURN

671
00:13:47,205 --> 00:13:47,861
THE [bleep] UP WITH US.

672
00:13:47,861 --> 00:13:48,758
BUTT NAKED, BOOTY ASS,

673
00:13:48,758 --> 00:13:50,277
BALD NAKED, ALL THAT LIGHT SKIN.

674
00:13:50,277 --> 00:13:51,037
♪ EH

675
00:13:51,037 --> 00:13:52,107
YOU SERIOUS, AIN'T YOU?

676
00:13:52,107 --> 00:13:52,832
YEAH, THAT'S SERIOUS,

677
00:13:52,832 --> 00:13:53,660
'CAUSE YOU LIGHT-SKINNED,

678
00:13:53,660 --> 00:13:54,419
SHE LIGHT-SKINNED.

679
00:13:54,419 --> 00:13:55,420
ALL THAT LIGHT SKIN ALL OVER

680
00:13:55,420 --> 00:13:56,732
MY CHOCOLATE.

681
00:13:56,732 --> 00:14:05,845
[man singing in Spanish]

682
00:14:05,845 --> 00:14:06,742
♪

683
00:14:06,742 --> 00:14:09,745
[rapping in Spanish]

684
00:14:09,745 --> 00:14:15,993
♪

685
00:14:15,993 --> 00:14:17,477
AM I THE MAN OR WHAT?

686
00:14:17,477 --> 00:14:18,823
JUST LIKE I PROMISED.

687
00:14:18,823 --> 00:14:20,031
MY PUERTO RICAN PRINCESS

688
00:14:20,031 --> 00:14:21,688
GOT HERSELF A SMASH

689
00:14:21,688 --> 00:14:23,138
ON HER HANDS.

690
00:14:23,138 --> 00:14:24,725
IT'S ABOUT 85%.

691
00:14:24,725 --> 00:14:25,381
WHAT?

692
00:14:25,381 --> 00:14:26,106
DON'T "WHAT?" ME.

693
00:14:26,106 --> 00:14:26,900
YOU KEEP MAKING ME DO IT

694
00:14:26,900 --> 00:14:27,694
OVER AND OVER.

695
00:14:27,694 --> 00:14:28,350
I DON'T KNOW WHY.

696
00:14:28,350 --> 00:14:29,109
I ALREADY GOT IT PERFECT.

697
00:14:29,109 --> 00:14:29,903
YOU AIN'T GOT IT PERFECT.

698
00:14:29,903 --> 00:14:30,766
YES, I DO.

699
00:14:30,766 --> 00:14:31,456
I'LL LET YOU KNOW WHEN

700
00:14:31,456 --> 00:14:32,112
IT'S PERFECT.

701
00:14:32,112 --> 00:14:33,734
I GOT THE GRAMMYS, NOT YOU.

702
00:14:33,734 --> 00:14:34,839
DOES STEVIE GOT TO WORK

703
00:14:34,839 --> 00:14:35,840
A BITCH SO HARD?

704
00:14:35,840 --> 00:14:36,703
I MEAN, HE WANT ME TO DO THE

705
00:14:36,703 --> 00:14:38,567
SONG OVER AND OVER AND OVER

706
00:14:38,567 --> 00:14:39,292
AND OVER AND OVER.

707
00:14:39,292 --> 00:14:40,396
AND, I MEAN, I'M LIKE, "STEVIE,

708
00:14:40,396 --> 00:14:42,157
WHAT ELSE DO YOU [bleep] WANT?"

709
00:14:42,157 --> 00:14:42,951
WHY DON'T YOU JUST COME OUT

710
00:14:42,951 --> 00:14:43,710
FOR A MINUTE?

711
00:14:43,710 --> 00:14:44,573
YEAH, I NEED THAT.

712
00:14:44,573 --> 00:14:45,367
I'M ALL ABOUT GETTING

713
00:14:45,367 --> 00:14:46,886
JOSELINE BACK INTO THE MUSIC.

714
00:14:46,886 --> 00:14:48,370
WE HAD SOME TRACTION LAST YEAR

715
00:14:48,370 --> 00:14:49,750
WITH HER TWO SINGLES,

716
00:14:49,750 --> 00:14:51,028
BUT NOW, IF JOSELINE WANTS

717
00:14:51,028 --> 00:14:52,684
TO BE TAKEN SERIOUSLY,

718
00:14:52,684 --> 00:14:53,616
SHE GOT TO BE READY TO PUT

719
00:14:53,616 --> 00:14:54,686
IN THAT WORK.

720
00:14:54,686 --> 00:14:56,067
IT'S NOW OR NEVER.

721
00:14:56,067 --> 00:14:56,792
I FEEL LIKE THIS SONG IS

722
00:14:56,792 --> 00:14:57,448
GREAT.

723
00:14:57,448 --> 00:14:58,690
I FEEL LIKE IT COULD GO BIG.

724
00:14:58,690 --> 00:14:59,795
I FEEL LIKE I COULD WIN

725
00:14:59,795 --> 00:15:00,934
A GRAMMY FOR THIS SONG.

726
00:15:00,934 --> 00:15:01,901
YEAH?

727
00:15:01,901 --> 00:15:02,902
LISTEN, BABE, I LOVE YOU.

728
00:15:02,902 --> 00:15:03,799
I LOVE YOU TOO.

729
00:15:03,799 --> 00:15:04,593
THIS IS WHAT I NEED YOU

730
00:15:04,593 --> 00:15:05,283
TO DO.

731
00:15:05,283 --> 00:15:07,492
I NEED A SHOWCASE.

732
00:15:07,492 --> 00:15:08,424
I'M READY TO DO WHAT I WAS

733
00:15:08,424 --> 00:15:09,632
BORN TO DO.

734
00:15:09,632 --> 00:15:10,288
ALL RIGHT.

735
00:15:10,288 --> 00:15:10,944
PLEASE.

736
00:15:10,944 --> 00:15:11,634
IT TAKES TIME.

737
00:15:11,634 --> 00:15:12,359
YOU KNOW WHAT I'M SAYING?

738
00:15:12,359 --> 00:15:13,257
YOU HAVE TO GET COMFORTABLE

739
00:15:13,257 --> 00:15:14,741
WITH THIS ARTISTRY.

740
00:15:14,741 --> 00:15:15,673
I'M NOT ABOUT TO JUST THROW

741
00:15:15,673 --> 00:15:17,571
YOU OUT THERE TO THE WOLVES.

742
00:15:17,571 --> 00:15:18,400
YOU KNOW WHAT I'M SAYING?

743
00:15:18,400 --> 00:15:20,643
AND YOU GET YOUR ASS ATE UP.

744
00:15:20,643 --> 00:15:21,713
MOTHER[bleep] OUT HERE,

745
00:15:21,713 --> 00:15:24,509
THEY WORKING DAYS AND NIGHTS

746
00:15:24,509 --> 00:15:25,614
AND WEEKS AND MONTHS

747
00:15:25,614 --> 00:15:27,409
ON A SHOW.

748
00:15:27,409 --> 00:15:28,375
PERFECTION.

749
00:15:28,375 --> 00:15:29,238
THAT'S WHAT I'VE BEEN DOING

750
00:15:29,238 --> 00:15:30,067
FOR TWO YEARS.

751
00:15:30,067 --> 00:15:30,860
NO, NO, NO, NO.

752
00:15:30,860 --> 00:15:33,173
NOW YOU'RE AT THE LEVEL

753
00:15:33,173 --> 00:15:34,347
TO WHERE, YOU KNOW,

754
00:15:34,347 --> 00:15:36,245
IT'S TIME FOR PEOPLE TO SEE YOU.

755
00:15:36,245 --> 00:15:38,420
YOU KNOW, SO I AGREE WITH YOU.

756
00:15:38,420 --> 00:15:39,628
I'LL PUT YOU ON THE STAGE

757
00:15:39,628 --> 00:15:40,940
WITH ALL THESE HOS.

758
00:15:40,940 --> 00:15:41,871
OOH, YES, 'CAUSE THAT'S

759
00:15:41,871 --> 00:15:42,942
WHAT I'VE BEEN WORKING FOR.

760
00:15:42,942 --> 00:15:43,701
SO WHEN YOU READY?

761
00:15:43,701 --> 00:15:44,771
I'M [bleep] READY RIGHT NOW.

762
00:15:44,771 --> 00:15:45,875
I WAS BORN READY.

763
00:15:45,875 --> 00:15:46,946
JUST PUT ME ON THAT STAGE,

764
00:15:46,946 --> 00:15:48,464
AND WE'LL BE ROLLING IN MONEY.

765
00:15:48,464 --> 00:15:49,500
AND AT THE END OF THE DAY,

766
00:15:49,500 --> 00:15:50,984
AFTER HEARING ALTHEA'S

767
00:15:50,984 --> 00:15:52,365
1980s SONG,

768
00:15:52,365 --> 00:15:54,091
WE IN THE 2014,

769
00:15:54,091 --> 00:15:54,988
AND THAT'S THE PUERTO RICAN

770
00:15:54,988 --> 00:15:56,231
PRINCESS JOSELINE HERNANDEZ

771
00:15:56,231 --> 00:15:57,335
HITTING THAT STAGE.

772
00:15:57,335 --> 00:15:58,543
I HAVE TO TELL YOU,

773
00:15:58,543 --> 00:15:59,406
I WENT TO GO SEE ALTHEA

774
00:15:59,406 --> 00:16:02,547
OUT AT THE STUDIO.

775
00:16:02,547 --> 00:16:03,479
WHY YOU GOING TO SEE

776
00:16:03,479 --> 00:16:04,135
THIS BROAD AT THE STUDIO

777
00:16:04,135 --> 00:16:05,067
WHEN YOU GOT YOUR OWN [bleep]

778
00:16:05,067 --> 00:16:05,826
TO DO?

779
00:16:05,826 --> 00:16:06,620
I WANTED TO GO SEE

780
00:16:06,620 --> 00:16:07,656
THE BITCH IN THE STUDIO.

781
00:16:07,656 --> 00:16:08,450
AND THE FIRST THING THAT SHE

782
00:16:08,450 --> 00:16:09,140
ASKED ME WHEN I WALKED

783
00:16:09,140 --> 00:16:10,245
IN THE DOOR, DO I WANT TO JUMP

784
00:16:10,245 --> 00:16:11,108
IN IT SOMEWHERE?

785
00:16:11,108 --> 00:16:12,523
I DON'T THINK SO.

786
00:16:12,523 --> 00:16:13,282
YOU THINK I'M GONNA JUST DO

787
00:16:13,282 --> 00:16:14,249
A SONG WITH ANYBODY?

788
00:16:14,249 --> 00:16:15,008
SHE AIN'T ANYBODY.

789
00:16:15,008 --> 00:16:15,802
I DON'T GIVE A [bleep].

790
00:16:15,802 --> 00:16:16,561
ZINO'S--YOU KNOW WHAT I

791
00:16:16,561 --> 00:16:17,217
MEAN.

792
00:16:17,217 --> 00:16:17,977
[bleep] AIN'T NOBODY.

793
00:16:17,977 --> 00:16:18,667
THEY MET ON TWITTER.

794
00:16:18,667 --> 00:16:20,048
I MET YOU ON VINE.

795
00:16:20,048 --> 00:16:21,566
YOU MET ME AT THE STRIP CLUB.

796
00:16:21,566 --> 00:16:22,257
HE DIDN'T KNOW [bleep]

797
00:16:22,257 --> 00:16:22,947
ABOUT THIS HO,

798
00:16:22,947 --> 00:16:26,468
BUT MAYBE YOU KNOW.

799
00:16:26,468 --> 00:16:29,126
I DON'T KNOW.

800
00:16:29,126 --> 00:16:29,989
I MEAN, I SEEN HER ONCE

801
00:16:29,989 --> 00:16:31,507
OR TWICE IN THE STREETS, BUT--

802
00:16:31,507 --> 00:16:32,129
YOU PUT YOUR [bleep]

803
00:16:32,129 --> 00:16:33,544
IN HER [bleep]?

804
00:16:33,544 --> 00:16:34,545
COME ON, MA.

805
00:16:34,545 --> 00:16:35,270
'CAUSE, YOU KNOW,

806
00:16:35,270 --> 00:16:35,995
YOU AND BENZINO DO LIKE

807
00:16:35,995 --> 00:16:36,996
TO SHARE [bleep].

808
00:16:36,996 --> 00:16:37,686
I DON'T LIKE TO SHARE

809
00:16:37,686 --> 00:16:38,445
[bleep].

810
00:16:38,445 --> 00:16:39,274
I DON'T KNOW WHAT TO BELIEVE

811
00:16:39,274 --> 00:16:40,413
AT THIS POINT, BUT THE ONLY

812
00:16:40,413 --> 00:16:41,552
THING I DO KEEP HEARING

813
00:16:41,552 --> 00:16:42,587
IS THAT THE BITCH GET AROUND

814
00:16:42,587 --> 00:16:43,485
AND THE BITCH IS A HO.

815
00:16:43,485 --> 00:16:45,142
THAT'S WHY THEY CALL HER HOTHEA.

816
00:16:45,142 --> 00:16:46,143
I GOT TO WATCH THEM TWO,

817
00:16:46,143 --> 00:16:47,006
'CAUSE I DON'T KNOW WHERE

818
00:16:47,006 --> 00:16:47,903
THIS HO COME FROM,

819
00:16:47,903 --> 00:16:48,869
AND I KNOW WHERE HIS BEEFCAKE

820
00:16:48,869 --> 00:16:50,009
LIKE TO GO INTO.

821
00:16:50,009 --> 00:16:50,699
FOR ALL I KNOW,

822
00:16:50,699 --> 00:16:51,424
SHE TRYING TO CATCH THE BIG

823
00:16:51,424 --> 00:16:52,080
FISH.

824
00:16:52,080 --> 00:16:52,770
SO I GOT TO WATCH

825
00:16:52,770 --> 00:16:53,426
YOU AND HER AROUND.

826
00:16:53,426 --> 00:16:54,082
MAYBE I NEED TO DO THAT.

827
00:16:54,082 --> 00:16:54,841
NO, NO, NO--

828
00:16:54,841 --> 00:16:55,566
MAYBE I SHOULD DO THAT.

829
00:16:55,566 --> 00:16:56,463
OH...

830
00:16:56,463 --> 00:16:57,775
IT'S TIME TO CHANGE THE SUBJECT.

831
00:16:57,775 --> 00:16:58,983
WE GOT TO KEEP HER MIND FOCUSED

832
00:16:58,983 --> 00:17:00,640
ON THE ONE THING THAT KEEPS HER

833
00:17:00,640 --> 00:17:01,951
ABOVE ALL THE REST OF THE

834
00:17:01,951 --> 00:17:03,919
THINGS: THAT CAREER.

835
00:17:03,919 --> 00:17:04,644
LISTEN.

836
00:17:04,644 --> 00:17:05,955
LET'S TALK ABOUT SOMETHING ELSE.

837
00:17:05,955 --> 00:17:06,611
SO WE GONNA DO THIS BIG

838
00:17:06,611 --> 00:17:07,474
SHOWCASE.

839
00:17:07,474 --> 00:17:09,062
GET THE SOUND, THE STAGE,

840
00:17:09,062 --> 00:17:10,167
THE LIGHTS READY.

841
00:17:10,167 --> 00:17:11,168
THE COSTUMES.

842
00:17:11,168 --> 00:17:12,997
WHAT ABOUT THE DANCERS?

843
00:17:12,997 --> 00:17:13,722
I'M LOOKING FOR DANCERS

844
00:17:13,722 --> 00:17:14,447
ON FRIDAY, AND I WANT YOU

845
00:17:14,447 --> 00:17:15,137
TO BE THERE.

846
00:17:15,137 --> 00:17:16,104
LOOK, YOU KNOW, I WANT STRIPPERS

847
00:17:16,104 --> 00:17:17,484
AND I WANT REGULAR DANCERS.

848
00:17:17,484 --> 00:17:18,934
THIS IS GONNA BE FUNNY.

849
00:17:18,934 --> 00:17:19,624
I JUST REALLY NEED YOU

850
00:17:19,624 --> 00:17:20,763
TO FOCUS, BABE.

851
00:17:20,763 --> 00:17:22,834
LET ME JUST SEE SOMETHING.

852
00:17:22,834 --> 00:17:24,112
FOCUS ON THE STAGE.

853
00:17:24,112 --> 00:17:24,836
I AM.

854
00:17:24,836 --> 00:17:26,493
THE STAGE IS SET.

855
00:17:26,493 --> 00:17:27,563
LIGHTS,

856
00:17:27,563 --> 00:17:29,910
CAMERA,

857
00:17:29,910 --> 00:17:30,946
ACTION.

858
00:17:30,946 --> 00:17:32,016
[chuckles]

859
00:17:32,016 --> 00:17:32,810
DO YOU HAVE STUFF THAT YOU

860
00:17:32,810 --> 00:17:33,604
JUST FEEL LIKE YOU DON'T WANT

861
00:17:33,604 --> 00:17:34,536
TO TELL?

862
00:17:34,536 --> 00:17:35,640
LIKE, I DON'T KNOW WHETHER

863
00:17:35,640 --> 00:17:38,643
HE KNOWS SOMETHING

864
00:17:38,643 --> 00:17:40,507
ABOUT SOMEBODY.

865
00:17:40,507 --> 00:17:41,922
HOW IS HE TAKING ADVANTAGE?

866
00:17:41,922 --> 00:17:43,407
THIS SEX TAPE IS ONE.

867
00:17:43,407 --> 00:17:44,684
SO HE INTENTIONALLY PUT

868
00:17:44,684 --> 00:17:45,926
THIS TAPE OUT IS WHAT YOU'RE

869
00:17:45,926 --> 00:17:49,033
SAYING?

870
00:17:49,033 --> 00:18:02,288
HELL YEAH.

871
00:18:02,288 --> 00:18:03,012
OOH.

872
00:18:03,012 --> 00:18:04,013
YOU CAN DO CUTE.

873
00:18:04,013 --> 00:18:05,360
HI. WEARING THEM JEANS.

874
00:18:05,360 --> 00:18:06,257
[laughter]

875
00:18:06,257 --> 00:18:07,707
HOW HAVE YOU BEEN?

876
00:18:07,707 --> 00:18:08,673
IT'S BEEN SO LONG.

877
00:18:08,673 --> 00:18:09,847
NO, IT'S BEEN 100 YEARS.

878
00:18:09,847 --> 00:18:10,537
[laughs]

879
00:18:10,537 --> 00:18:12,091
I'VE KNOWN ALTHEA,

880
00:18:12,091 --> 00:18:13,506
OR "THI THI" IS WHAT THEY CALL

881
00:18:13,506 --> 00:18:14,921
HER IN THE INDUSTRY,

882
00:18:14,921 --> 00:18:16,095
FOR A WHILE NOW.

883
00:18:16,095 --> 00:18:17,682
I MEAN, SHE'S A VIDEO VIXEN

884
00:18:17,682 --> 00:18:18,752
WHO WAS ACTUALLY SHAKING

885
00:18:18,752 --> 00:18:19,891
THAT THING IN MY

886
00:18:19,891 --> 00:18:21,376
MY BUBBLE GUMVIDEO.

887
00:18:21,376 --> 00:18:22,722
WE HAVEN'T KEPT IN TOUCH,

888
00:18:22,722 --> 00:18:23,516
BUT WHEN I FOUND OUT

889
00:18:23,516 --> 00:18:25,034
SHE WAS DATING ZINO,

890
00:18:25,034 --> 00:18:26,588
I WAS LIKE, "ERRR.

891
00:18:26,588 --> 00:18:28,107
I GOT TO CALL HER."

892
00:18:28,107 --> 00:18:28,900
HOW LONG Y'ALL BEEN MESSING

893
00:18:28,900 --> 00:18:29,798
AROUND, YOU AND BENZINO?

894
00:18:29,798 --> 00:18:31,282
NOW, LIKE, SIX MONTHS.

895
00:18:31,282 --> 00:18:32,835
DO YOU FEEL LIKE

896
00:18:32,835 --> 00:18:33,664
HE CAN BE THAT--

897
00:18:33,664 --> 00:18:34,561
I FEEL IT'S GENUINE.

898
00:18:34,561 --> 00:18:35,528
THAT GUY?

899
00:18:35,528 --> 00:18:36,184
MM-HMM.

900
00:18:36,184 --> 00:18:36,943
BECAUSE, I MEAN,

901
00:18:36,943 --> 00:18:37,702
YOU KNOW, I'M GONNA KEEP IT

902
00:18:37,702 --> 00:18:38,393
REAL.

903
00:18:38,393 --> 00:18:39,152
MM-HMM.

904
00:18:39,152 --> 00:18:40,049
YOU KNOW, YOU HAVE DATED

905
00:18:40,049 --> 00:18:40,947
SEVERAL GUYS.

906
00:18:40,947 --> 00:18:41,810
YOU KNOW WHAT I'M SAYING?

907
00:18:41,810 --> 00:18:43,260
[laughing] YES, YES.

908
00:18:43,260 --> 00:18:44,502
I HAVE NO SHAME IN MY GAME,

909
00:18:44,502 --> 00:18:46,021
AND I'M A GROWN-ASS WOMAN.

910
00:18:46,021 --> 00:18:47,091
I'VE BEEN APPROACHED BY ALL

911
00:18:47,091 --> 00:18:48,541
TYPES OF GUYS IN THIS INDUSTRY,

912
00:18:48,541 --> 00:18:49,542
BUT I THINK YOU'D BE SURPRISED

913
00:18:49,542 --> 00:18:50,370
THAT I'VE NEVER DATED ANY

914
00:18:50,370 --> 00:18:52,096
RAPPERS OR SINGERS.

915
00:18:52,096 --> 00:18:54,029
MORE LIKE BOSSES AND EXECUTIVES.

916
00:18:54,029 --> 00:18:55,134
PEOPLE, THEY SEE ALTHEA

917
00:18:55,134 --> 00:18:56,065
AND THEY THINK, "OH, SHE SLEPT

918
00:18:56,065 --> 00:18:57,343
WITH ALL THESE GUYS."

919
00:18:57,343 --> 00:18:58,585
AND THAT REALLY ISN'T THE TRUTH.

920
00:18:58,585 --> 00:18:59,414
BUT I WILL KEEP IT REAL

921
00:18:59,414 --> 00:19:00,139
WITH YOU.

922
00:19:00,139 --> 00:19:01,036
PEOPLE DO FEEL LIKE THAT

923
00:19:01,036 --> 00:19:01,933
ABOUT YOU.

924
00:19:01,933 --> 00:19:02,624
YEAH.

925
00:19:02,624 --> 00:19:03,694
I MEAN, I KNOW YOU'VE DATED

926
00:19:03,694 --> 00:19:04,902
GUYS IN THE INDUSTRY

927
00:19:04,902 --> 00:19:05,903
AND HAD YOUR DIFFERENT

928
00:19:05,903 --> 00:19:07,111
SITUATIONS AND STUFF LIKE THAT.

929
00:19:07,111 --> 00:19:08,388
BUT NOT AS MUCH

930
00:19:08,388 --> 00:19:09,700
AS EVERYBODY THINKS, THOUGH.

931
00:19:09,700 --> 00:19:10,873
I SWEAR, LIKE--

932
00:19:10,873 --> 00:19:12,254
I MEAN, I HAVE DATED GUYS

933
00:19:12,254 --> 00:19:13,359
AND STUFF LIKE THAT,

934
00:19:13,359 --> 00:19:14,222
BUT NOW IT'S LIKE,

935
00:19:14,222 --> 00:19:15,154
I'M NOT GONNA BE A SLAVE

936
00:19:15,154 --> 00:19:16,396
TO THIS INDUSTRY.

937
00:19:16,396 --> 00:19:17,121
YOU KNOW, I'VE BEEN

938
00:19:17,121 --> 00:19:18,087
IN THE INDUSTRY SO LONG,

939
00:19:18,087 --> 00:19:20,055
AND IT'S SO SMALL.

940
00:19:20,055 --> 00:19:21,539
BUT YOU'RE SO LUCKY

941
00:19:21,539 --> 00:19:22,713
TO BE MARRIED.

942
00:19:22,713 --> 00:19:24,232
IT'S WORK.

943
00:19:24,232 --> 00:19:25,681
BITCH, LET ME TELL YOU.

944
00:19:25,681 --> 00:19:26,820
[laughing] I KNOW IT IS.

945
00:19:26,820 --> 00:19:27,580
AND THAT'S ONE REASON

946
00:19:27,580 --> 00:19:28,546
WHY I HADN'T BEEN THE BIGGEST

947
00:19:28,546 --> 00:19:29,582
BENZINO FAN.

948
00:19:29,582 --> 00:19:30,617
I CAN'T SIT THERE AND BE MAD

949
00:19:30,617 --> 00:19:32,757
ABOUT THE HOT TUB, THE BITCHES,

950
00:19:32,757 --> 00:19:33,551
THE FACT THAT YOU DID THIS

951
00:19:33,551 --> 00:19:34,345
AND YOU DID THAT

952
00:19:34,345 --> 00:19:36,554
IF I WANT THIS TO MOVE FORWARD

953
00:19:36,554 --> 00:19:37,383
AND FOR US TO GO INTO

954
00:19:37,383 --> 00:19:38,107
THE FUTURE.

955
00:19:38,107 --> 00:19:38,832
PUT IT IN THE PAST.

956
00:19:38,832 --> 00:19:39,557
SO I HAVE TO LET THE PAST

957
00:19:39,557 --> 00:19:40,627
BE THE PAST.

958
00:19:40,627 --> 00:19:42,146
AND THE WORST THING YOU WANT

959
00:19:42,146 --> 00:19:43,458
IS TO BE IN A RELATIONSHIP

960
00:19:43,458 --> 00:19:44,183
WITH SOMEBODY THAT YOU

961
00:19:44,183 --> 00:19:45,598
ABSOLUTELY LOVE

962
00:19:45,598 --> 00:19:46,633
AND THEN SOMEBODY COME THROW

963
00:19:46,633 --> 00:19:47,979
SOME SALT IN YOUR [bleep].

964
00:19:47,979 --> 00:19:48,808
AND THEN THEY LOOKING LIKE,

965
00:19:48,808 --> 00:19:49,809
"BITCH, YOU DISHONEST."

966
00:19:49,809 --> 00:19:50,465
RIGHT.

967
00:19:50,465 --> 00:19:51,431
"YOU AIN'T [bleep]."

968
00:19:51,431 --> 00:19:52,432
YOU KNOW WHAT I'M SAYING?

969
00:19:52,432 --> 00:19:54,227
BOTH PEOPLE HAVE TO BE

970
00:19:54,227 --> 00:19:55,090
READY TO--

971
00:19:55,090 --> 00:19:56,264
TELL EVERYTHING.

972
00:19:56,264 --> 00:19:57,196
YEAH.

973
00:19:57,196 --> 00:19:58,749
TELL EVERYTHING?

974
00:19:58,749 --> 00:19:59,750
DO YOU HAVE STUFF THAT YOU

975
00:19:59,750 --> 00:20:00,785
JUST FEEL LIKE YOU DON'T WANT

976
00:20:00,785 --> 00:20:02,270
TO TELL?

977
00:20:02,270 --> 00:20:03,926
LIKE, I DON'T KNOW WHETHER

978
00:20:03,926 --> 00:20:07,930
HE KNOWS...

979
00:20:07,930 --> 00:20:09,829
SOMETHING ABOUT SOMEBODY.

980
00:20:09,829 --> 00:20:10,933
IF IT'S SOMETHING

981
00:20:10,933 --> 00:20:13,004
THAT YOU FEEL LIKE

982
00:20:13,004 --> 00:20:14,143
HE'S GONNA FIND OUT

983
00:20:14,143 --> 00:20:15,938
AND IT'S GONNA BE DEVASTATING,

984
00:20:15,938 --> 00:20:19,183
IT'S BEST TO COME FROM YOU.

985
00:20:19,183 --> 00:20:23,222
RIGHT.

986
00:20:23,222 --> 00:20:24,292
THANK YOU FOR COMING

987
00:20:24,292 --> 00:20:25,810
TO WORK OUT WITH ME.

988
00:20:25,810 --> 00:20:27,260
IT'S SO MUCH BETTER THAN

989
00:20:27,260 --> 00:20:28,019
WORKING OUT WITH NIKKO

990
00:20:28,019 --> 00:20:29,366
BECAUSE HE TRIES TO KILL ME

991
00:20:29,366 --> 00:20:30,608
WHEN WE GO TO THE GYM.

992
00:20:30,608 --> 00:20:31,885
[both laugh]

993
00:20:31,885 --> 00:20:33,508
ARIANE HASN'T BEEN AROUND

994
00:20:33,508 --> 00:20:35,164
WHEN I FELT LIKE I REALLY NEEDED

995
00:20:35,164 --> 00:20:36,718
HER THE MOST, BUT SHE'S HERE

996
00:20:36,718 --> 00:20:37,788
NOW.

997
00:20:37,788 --> 00:20:38,858
EVEN THOUGH SHE'S NOT A BIG

998
00:20:38,858 --> 00:20:40,791
NIKKO FAN, I KNOW THAT I CAN

999
00:20:40,791 --> 00:20:42,551
TALK TO HER ABOUT EVERYTHING

1000
00:20:42,551 --> 00:20:44,657
THAT'S BEEN GOING ON.

1001
00:20:44,657 --> 00:20:46,141
SO WHAT'S BEEN UP?

1002
00:20:46,141 --> 00:20:47,867
GIRL, WHEN I WAS WASHING

1003
00:20:47,867 --> 00:20:49,800
CLOTHES THE OTHER DAY,

1004
00:20:49,800 --> 00:20:50,973
AND I'M SEPARATING CLOTHES,

1005
00:20:50,973 --> 00:20:52,872
AND I FIND HIS T-SHIRT

1006
00:20:52,872 --> 00:20:54,632
IN THE DIRTY LAUNDRY HAMPER

1007
00:20:54,632 --> 00:20:57,256
WITH [bleep] MAKEUP,

1008
00:20:57,256 --> 00:20:59,741
LIPSTICK ALL OVER THE COLLAR.

1009
00:20:59,741 --> 00:21:01,052
IS THIS DEJA VU?

1010
00:21:01,052 --> 00:21:01,777
I HAD JUST HAD IT

1011
00:21:01,777 --> 00:21:02,433
AT THAT POINT.

1012
00:21:02,433 --> 00:21:03,227
I HAD IT.

1013
00:21:03,227 --> 00:21:04,263
I WAS LIKE, "YOU GONNA HAVE

1014
00:21:04,263 --> 00:21:05,402
TO GET YOUR OWN SPACE

1015
00:21:05,402 --> 00:21:06,644
'CAUSE I NEED MY SPACE."

1016
00:21:06,644 --> 00:21:07,645
SO YOU PUT HIM OUT?

1017
00:21:07,645 --> 00:21:09,060
YES.

1018
00:21:09,060 --> 00:21:09,889
I DID.

1019
00:21:09,889 --> 00:21:11,580
CAN YOU PULL OVER?

1020
00:21:11,580 --> 00:21:13,548
I WANT YOU TO LOOK AT ME.

1021
00:21:13,548 --> 00:21:14,963
SURE.

1022
00:21:14,963 --> 00:21:17,068
I'M SERIOUS.

1023
00:21:17,068 --> 00:21:17,793
I'VE WATCHED MIMI GET

1024
00:21:17,793 --> 00:21:18,691
DISRESPECTED FOR YEARS BY

1025
00:21:18,691 --> 00:21:19,657
STEVIE.

1026
00:21:19,657 --> 00:21:20,865
NOW SHE TRADE HIM IN FOR THIS

1027
00:21:20,865 --> 00:21:22,350
CLOWN NIKKO?

1028
00:21:22,350 --> 00:21:24,869
WHEN DOES THE CYCLE END?

1029
00:21:24,869 --> 00:21:27,286
DO YOU SEE THIS AS A PATTERN?

1030
00:21:27,286 --> 00:21:28,114
THIS KIND OF MAN.

1031
00:21:28,114 --> 00:21:29,357
THE TYPE OF MAN THAT I

1032
00:21:29,357 --> 00:21:30,565
CHOOSE?

1033
00:21:30,565 --> 00:21:31,393
YEAH.

1034
00:21:31,393 --> 00:21:32,532
AS CRAZY AS IT MAY SEEM,

1035
00:21:32,532 --> 00:21:34,016
I JUST LIKE WHAT I LIKE.

1036
00:21:34,016 --> 00:21:35,604
IT'S JUST SOMETHING ABOUT

1037
00:21:35,604 --> 00:21:36,364
HIM.

1038
00:21:36,364 --> 00:21:37,813
THAT YOU DON'T LIKE.

1039
00:21:37,813 --> 00:21:39,021
I AIN'T THE ONLY ONE.

1040
00:21:39,021 --> 00:21:40,195
WHOEVER DON'T LIKE HIM,

1041
00:21:40,195 --> 00:21:40,954
THAT'S FINE.

1042
00:21:40,954 --> 00:21:41,990
I'M DEALING WITH IT,

1043
00:21:41,990 --> 00:21:42,818
'CAUSE THAT'S WHAT I CHOOSE

1044
00:21:42,818 --> 00:21:43,612
TO DO.

1045
00:21:43,612 --> 00:21:44,475
WHY ARE YOU DEALING WITH THIS

1046
00:21:44,475 --> 00:21:45,234
BULL[bleep]?

1047
00:21:45,234 --> 00:21:46,339
I LIKE WHAT I LIKE.

1048
00:21:46,339 --> 00:21:47,202
OKAY.

1049
00:21:47,202 --> 00:21:48,514
BUT WHEN I CONTINUOUSLY SEE

1050
00:21:48,514 --> 00:21:49,515
SOMEBODY...

1051
00:21:49,515 --> 00:21:50,309
[pops lips]

1052
00:21:50,309 --> 00:21:52,000
USING YOU, BASICALLY,

1053
00:21:52,000 --> 00:21:53,381
IT'S, LIKE, A PROBLEM.

1054
00:21:53,381 --> 00:21:55,003
THAT'S A PROBLEM.

1055
00:21:55,003 --> 00:21:56,280
HOW IS HE TAKING ADVANTAGE?

1056
00:21:56,280 --> 00:21:57,868
THIS SEX TAPE IS ONE.

1057
00:21:57,868 --> 00:21:59,628
THIS SEX TAPE IS HIM TAKING

1058
00:21:59,628 --> 00:22:00,905
ADVANTAGE OF ME?

1059
00:22:00,905 --> 00:22:02,355
HELL YEAH.

1060
00:22:02,355 --> 00:22:03,218
HOW SO?

1061
00:22:03,218 --> 00:22:06,083
HOW WOULD HE HAVE DONE IT

1062
00:22:06,083 --> 00:22:08,844
WITHOUT YOU?

1063
00:22:08,844 --> 00:22:10,087
SO HE INTENTIONALLY PUT

1064
00:22:10,087 --> 00:22:10,777
THIS TAPE OUT

1065
00:22:10,777 --> 00:22:12,331
IS WHAT YOU'RE SAYING?

1066
00:22:12,331 --> 00:22:13,193
HELL YEAH.

1067
00:22:13,193 --> 00:22:14,367
EVERYONE THINKS THAT NIKKO

1068
00:22:14,367 --> 00:22:15,644
HAS LEAKED THIS TAPE.

1069
00:22:15,644 --> 00:22:16,990
OBVIOUSLY I'VE HAD MY OWN

1070
00:22:16,990 --> 00:22:18,958
DOUBTS, BUT I'VE ASKED.

1071
00:22:18,958 --> 00:22:20,097
HE'S DENIED IT.

1072
00:22:20,097 --> 00:22:21,547
HOW CAN I NOT BELIEVE THE MAN

1073
00:22:21,547 --> 00:22:22,858
THAT I LOVE?

1074
00:22:22,858 --> 00:22:24,273
REGARDLESS,

1075
00:22:24,273 --> 00:22:25,378
I GOT TO DEAL WITH

1076
00:22:25,378 --> 00:22:26,621
WHAT'S GOING TO HAPPEN

1077
00:22:26,621 --> 00:22:28,657
RIGHT NOW AND MOVING FORWARD.

1078
00:22:28,657 --> 00:22:30,625
[sighs]

1079
00:22:30,625 --> 00:22:31,384
OKAY.

1080
00:22:31,384 --> 00:22:33,524
I TRULY BELIEVE THAT NIKKO

1081
00:22:33,524 --> 00:22:34,698
SOLD THIS TAPE TO THE HIGHEST

1082
00:22:34,698 --> 00:22:35,423
BIDDER.

1083
00:22:35,423 --> 00:22:36,596
HE'S A USER.

1084
00:22:36,596 --> 00:22:38,460
MIMI, YOU'RE BEING USED.

1085
00:22:38,460 --> 00:22:39,944
SO HOW DO YOU PLAN ON HANDLING

1086
00:22:39,944 --> 00:22:41,325
IT ONCE IT COMES OUT?

1087
00:22:41,325 --> 00:22:42,913
IS THAT A TRICK QUESTION?

1088
00:22:42,913 --> 00:22:43,948
IT'S NOT A TRICK QUESTION.

1089
00:22:43,948 --> 00:22:45,536
I HAVE NO IDEA.

1090
00:22:45,536 --> 00:22:46,744
NEVER DID IT BEFORE.

1091
00:22:46,744 --> 00:22:48,228
NEVER HAD ONE COME OUT BEFORE.

1092
00:22:48,228 --> 00:22:49,678
SO I GUESS WHEN IT COMES OUT,

1093
00:22:49,678 --> 00:22:50,403
I'LL FIGURE OUT HOW

1094
00:22:50,403 --> 00:22:51,473
I'M GONNA HANDLE IT THEN.

1095
00:22:51,473 --> 00:22:52,336
I LOVE YOU, AND I JUST

1096
00:22:52,336 --> 00:22:53,579
DON'T WANT YOU TO BE [bleep]

1097
00:22:53,579 --> 00:22:56,858
OVER ANYMORE.

1098
00:22:56,858 --> 00:23:06,246
STEVIE DID IT ENOUGH.

1099
00:23:06,246 --> 00:23:08,007
WORK THEM POLES, LONNIE.

1100
00:23:08,007 --> 00:23:08,801
NAW.

1101
00:23:08,801 --> 00:23:09,698
WORK THAT LITTLE COOTIE-CAT,

1102
00:23:09,698 --> 00:23:10,492
GIRL.

1103
00:23:10,492 --> 00:23:11,217
POP IT.

1104
00:23:11,217 --> 00:23:12,011
YEAH.

1105
00:23:12,011 --> 00:23:12,943
LET'S GO.

1106
00:23:12,943 --> 00:23:14,082
OH, MY GOD.

1107
00:23:14,082 --> 00:23:15,152
OKAY, OKAY, OKAY,

1108
00:23:15,152 --> 00:23:15,877
THAT'S ENOUGH.

1109
00:23:15,877 --> 00:23:16,533
I HAVEN'T SEEN

1110
00:23:16,533 --> 00:23:17,396
NOTHING BAD YET.

1111
00:23:17,396 --> 00:23:18,155
THANK GOD!

1112
00:23:18,155 --> 00:23:20,157
TODAY I'M AUDITIONING DANCERS,

1113
00:23:20,157 --> 00:23:21,434
AND HOPEFULLY WE CAN FIND

1114
00:23:21,434 --> 00:23:22,884
SOME GIRLS THAT WE LIKE,

1115
00:23:22,884 --> 00:23:23,816
'CAUSE RIGHT NOW, IT'S REALLY

1116
00:23:23,816 --> 00:23:24,679
HARD TO PICK.

1117
00:23:24,679 --> 00:23:25,956
THEY'RE ALL [bleep] GREAT.

1118
00:23:25,956 --> 00:23:27,198
AND EVERYBODY KNOWS

1119
00:23:27,198 --> 00:23:28,855
I NEED A POLE ON MY STAGE.

1120
00:23:28,855 --> 00:23:29,580
I KNOW YOU FELT HIS LITTLE

1121
00:23:29,580 --> 00:23:30,857
BEEFCAKE 'CAUSE HE ALWAYS

1122
00:23:30,857 --> 00:23:31,617
GET [bleep].

1123
00:23:31,617 --> 00:23:32,376
[laughs]

1124
00:23:32,376 --> 00:23:33,101
YOU JUST CAN'T CONTROL

1125
00:23:33,101 --> 00:23:33,964
YOURSELF.

1126
00:23:33,964 --> 00:23:34,758
WELL, I JUST WANTED TO SEE

1127
00:23:34,758 --> 00:23:35,586
HER.

1128
00:23:35,586 --> 00:23:36,380
YOU KNOW, SHE'S BEAUTIFUL.

1129
00:23:36,380 --> 00:23:37,485
AS WE ALL KNOW, STEVIE

1130
00:23:37,485 --> 00:23:38,175
LOVES THE WOMEN.

1131
00:23:38,175 --> 00:23:39,763
BUT THAT'S WHY RICARDO'S HERE,

1132
00:23:39,763 --> 00:23:40,729
BECAUSE I REALLY NEED HIM

1133
00:23:40,729 --> 00:23:41,903
TO HELP ME PICK OUT THE DANCERS

1134
00:23:41,903 --> 00:23:42,904
THAT WE'RE GOING TO USE

1135
00:23:42,904 --> 00:23:44,561
IN THE SHOW AND NOT STEVIE

1136
00:23:44,561 --> 00:23:45,838
HELP ME PICK OUT THE DANCERS

1137
00:23:45,838 --> 00:23:47,564
THAT HE WANTS TO SMASH.

1138
00:23:47,564 --> 00:23:48,461
SO WE'RE LOOKING FOR THOSE

1139
00:23:48,461 --> 00:23:49,220
GIRLS THAT GOT THAT POLE

1140
00:23:49,220 --> 00:23:50,912
DYNAMIC, THAT HIP-HOP FLAIR,

1141
00:23:50,912 --> 00:23:52,016
AND OF COURSE SPANISH

1142
00:23:52,016 --> 00:23:53,501
LITTLE FLAIR AS WELL.

1143
00:23:53,501 --> 00:23:54,329
I MEAN, AND WE NEED THE

1144
00:23:54,329 --> 00:23:55,537
STRIPPERS BECAUSE, I MEAN,

1145
00:23:55,537 --> 00:23:56,504
I WOULDN'T HAVE A SHOW

1146
00:23:56,504 --> 00:23:57,539
WITHOUT ANY POLES.

1147
00:23:57,539 --> 00:23:58,678
I MEAN, WHOO!

1148
00:23:58,678 --> 00:23:59,438
[laughter]

1149
00:23:59,438 --> 00:24:00,508
'CAUSE WE GOT TO KEEP IT SEXY,

1150
00:24:00,508 --> 00:24:03,442
RATCHET, CLASSY.

1151
00:24:03,442 --> 00:24:05,513
SO NEXT.

1152
00:24:05,513 --> 00:24:06,203
HEY, CUTIE.

1153
00:24:06,203 --> 00:24:07,687
LET ME SEE YOUR PAPER.

1154
00:24:07,687 --> 00:24:08,377
WHAT'S YOUR NAME?

1155
00:24:08,377 --> 00:24:09,309
CHERIE COCO.

1156
00:24:09,309 --> 00:24:11,208
CHERIE COCO, YOU THICK.

1157
00:24:11,208 --> 00:24:12,761
OOH!

1158
00:24:12,761 --> 00:24:13,659
YOU STRIP?

1159
00:24:13,659 --> 00:24:14,487
NO.

1160
00:24:14,487 --> 00:24:15,246
YOU LOOK LIKE YOU WOULD

1161
00:24:15,246 --> 00:24:16,109
HAVE MADE SOME MONEY DANCING,

1162
00:24:16,109 --> 00:24:16,834
GIRL.

1163
00:24:16,834 --> 00:24:18,629
YOU'RE LIKE MY DREAM GIRL.

1164
00:24:18,629 --> 00:24:20,010
HOW OLD ARE YOU?

1165
00:24:20,010 --> 00:24:21,252
22.

1166
00:24:21,252 --> 00:24:21,908
OOH.

1167
00:24:21,908 --> 00:24:23,462
KILLER.

1168
00:24:23,462 --> 00:24:24,359
DO YOU KNOW WHO I AM,

1169
00:24:24,359 --> 00:24:26,223
THE PUERTO RICAN PRINCESS?

1170
00:24:26,223 --> 00:24:27,224
[music shuts down]

1171
00:24:27,224 --> 00:24:28,156
NO, I'M SORRY.

1172
00:24:28,156 --> 00:24:29,019
IT'S OKAY.

1173
00:24:29,019 --> 00:24:29,675
YOU'RE A WHITE BUNNY,

1174
00:24:29,675 --> 00:24:30,434
SO I'LL LET YOU GET AWAY

1175
00:24:30,434 --> 00:24:31,297
WITH IT.

1176
00:24:31,297 --> 00:24:31,987
I'M THE BADDEST CHICK

1177
00:24:31,987 --> 00:24:32,643
IN THE GAME.

1178
00:24:32,643 --> 00:24:33,333
GOT IT.

1179
00:24:33,333 --> 00:24:34,231
SO WHAT TYPE OF DANCING

1180
00:24:34,231 --> 00:24:35,025
DO YOU DO, JELLY?

1181
00:24:35,025 --> 00:24:35,681
I DO HIP-HOP,

1182
00:24:35,681 --> 00:24:36,371
BUT I ALSO DO POLE.

1183
00:24:36,371 --> 00:24:37,027
OH, WORD?

1184
00:24:37,027 --> 00:24:37,683
YOU LYING.

1185
00:24:37,683 --> 00:24:38,477
I NEED TO SEE YOU ON THIS

1186
00:24:38,477 --> 00:24:39,547
[bleep] POLE.

1187
00:24:39,547 --> 00:24:41,307
I HAVE TO SEE YOU.

1188
00:24:41,307 --> 00:24:42,273
COME ON.

1189
00:24:42,273 --> 00:24:44,137
UH.

1190
00:24:44,137 --> 00:24:46,864
WHAM!

1191
00:24:46,864 --> 00:24:48,487
OOH!

1192
00:24:48,487 --> 00:24:49,833
COME ON, CHERIE COCO.

1193
00:24:49,833 --> 00:24:53,319
♪ 'CAUSE YOU REAL BOSS

1194
00:24:53,319 --> 00:24:56,495
THAT'S LOOKING HOT.

1195
00:24:56,495 --> 00:24:58,082
OH!

1196
00:24:58,082 --> 00:25:00,602
HA-HA!

1197
00:25:00,602 --> 00:25:02,017
DO IT AGAIN! GO AGAIN!

1198
00:25:02,017 --> 00:25:04,123
GO AGAIN!

1199
00:25:04,123 --> 00:25:04,779
YES!

1200
00:25:04,779 --> 00:25:06,125
YEAH!

1201
00:25:06,125 --> 00:25:07,609
[laughs]

1202
00:25:07,609 --> 00:25:08,437
WHOO!

1203
00:25:08,437 --> 00:25:09,197
YES!

1204
00:25:09,197 --> 00:25:11,371
DAMN!

1205
00:25:11,371 --> 00:25:13,270
I DIDN'T KNOW BIG BITCHES

1206
00:25:13,270 --> 00:25:14,202
COULD GET UP ON THE POLE

1207
00:25:14,202 --> 00:25:15,065
LIKE THAT.

1208
00:25:15,065 --> 00:25:15,928
I MEAN, YOU KNOW, SHE HAD

1209
00:25:15,928 --> 00:25:17,032
A LITTLE SLIGHT PROBLEM

1210
00:25:17,032 --> 00:25:17,930
GETTING OFF THE POLE,

1211
00:25:17,930 --> 00:25:19,518
BUT AT THE END OF THE DAY,

1212
00:25:19,518 --> 00:25:20,311
EVERY GIRL THAT'S ON THAT

1213
00:25:20,311 --> 00:25:21,727
STAGE, THEY GOT TO MATCH

1214
00:25:21,727 --> 00:25:23,729
JOSELINE HERNANDEZ SEXY.

1215
00:25:23,729 --> 00:25:24,937
THANKS, PAIGE.

1216
00:25:24,937 --> 00:25:25,903
THANK YOU, PAIGE.

1217
00:25:25,903 --> 00:25:29,907
BYE, PAIGE.

1218
00:25:29,907 --> 00:25:31,046
JESUS.

1219
00:25:31,046 --> 00:25:31,944
JESUS!

1220
00:25:31,944 --> 00:25:33,048
WHY DID YOU LET THIS TAPE

1221
00:25:33,048 --> 00:25:33,842
LEAK, AND WHY DIDN'T YOU

1222
00:25:33,842 --> 00:25:34,533
TRY TO STOP SOMETHING?

1223
00:25:34,533 --> 00:25:36,017
WHY DID I LET--HUH?

1224
00:25:36,017 --> 00:25:37,605
I HONESTLY FEEL LIKE

1225
00:25:37,605 --> 00:25:38,295
YOU HAD SOMETHING TO DO

1226
00:25:38,295 --> 00:25:41,125
WITH IT.

1227
00:25:41,125 --> 00:25:41,885
I DON'T WANT TO FEEL LIKE

1228
00:25:41,885 --> 00:25:42,679
I'M GETTING PLAYED.

1229
00:25:42,679 --> 00:25:43,714
SO YOU SITTING HERE

1230
00:25:43,714 --> 00:25:44,888
ADMITTING TODAY RIGHT NOW

1231
00:25:44,888 --> 00:25:45,613
YOU [bleep] AROUND,

1232
00:25:45,613 --> 00:25:49,064
BUT YOU TELLING ME

1233
00:25:49,064 --> 00:25:55,968
THAT I'M PLAYING YOU?

1234
00:25:55,968 --> 00:25:57,452
ALL RIGHT, INNER THIGH.

1235
00:25:57,452 --> 00:25:58,764
GIVE ME 12 OF THOSE.

1236
00:25:58,764 --> 00:26:00,559
WE GONNA GET ALL THIS TIGHT.

1237
00:26:00,559 --> 00:26:01,732
I NEED 12, 12.

1238
00:26:01,732 --> 00:26:03,941
COME ON.

1239
00:26:03,941 --> 00:26:05,115
SO AFTER MY TALK WITH MIMI

1240
00:26:05,115 --> 00:26:06,461
ABOUT THIS WHOLE NIKKO

1241
00:26:06,461 --> 00:26:08,705
SITUATION, I KIND OF JUST WANTED

1242
00:26:08,705 --> 00:26:10,327
TO GET MY OWN ANSWERS

1243
00:26:10,327 --> 00:26:11,777
FROM HIM PERSONALLY,

1244
00:26:11,777 --> 00:26:14,089
SO I DECIDED TO GO VISIT HIM

1245
00:26:14,089 --> 00:26:15,574
MYSELF.

1246
00:26:15,574 --> 00:26:18,024
HI, NIKKO.

1247
00:26:18,024 --> 00:26:18,784
WOW.

1248
00:26:18,784 --> 00:26:19,785
WHAT ARE YOU DOING HERE?

1249
00:26:19,785 --> 00:26:20,786
HELLO.

1250
00:26:20,786 --> 00:26:22,304
YOU GO HERE?

1251
00:26:22,304 --> 00:26:24,513
NO, I DON'T GO HERE.

1252
00:26:24,513 --> 00:26:25,204
YOU'RE NOT EVEN IN GYM

1253
00:26:25,204 --> 00:26:25,963
ATTIRE.

1254
00:26:25,963 --> 00:26:26,757
YEAH, BUT I WANTED

1255
00:26:26,757 --> 00:26:28,448
TO KIND OF TALK TO YOU, SO--

1256
00:26:28,448 --> 00:26:29,139
CAN I?

1257
00:26:29,139 --> 00:26:30,071
YES, GO FOR IT.

1258
00:26:30,071 --> 00:26:31,106
MIMI TELL ME SHE'S BEEN

1259
00:26:31,106 --> 00:26:32,349
WORKING OUT WITH YOU RECENTLY.

1260
00:26:32,349 --> 00:26:33,626
ABSOLUTELY.

1261
00:26:33,626 --> 00:26:35,490
HOW ARE YOU GUYS?

1262
00:26:35,490 --> 00:26:37,319
WE'RE EXCELLENT.

1263
00:26:37,319 --> 00:26:39,252
WE AIN'T GOT NO PROBLEMS.

1264
00:26:39,252 --> 00:26:39,977
SO YOU KNOW YOU'RE FULL

1265
00:26:39,977 --> 00:26:40,633
OF [bleep]?

1266
00:26:40,633 --> 00:26:41,461
OKAY, SO WHAT DID SHE TELL

1267
00:26:41,461 --> 00:26:42,117
YOU?

1268
00:26:42,117 --> 00:26:42,946
[scoffs]

1269
00:26:42,946 --> 00:26:44,810
I'M LISTENING.

1270
00:26:44,810 --> 00:26:45,534
WHY DO YOU FEEL LIKE

1271
00:26:45,534 --> 00:26:46,466
MY FRIEND IS SO UNCOMFORTABLE

1272
00:26:46,466 --> 00:26:47,433
WITH THINGS WITH YOU AND HER

1273
00:26:47,433 --> 00:26:48,952
RIGHT NOW?

1274
00:26:48,952 --> 00:26:50,298
MAYBE BECAUSE WHAT'S ABOUT

1275
00:26:50,298 --> 00:26:51,610
TO EXPLODE ON THE SCENE.

1276
00:26:51,610 --> 00:26:53,197
THE TAPE.

1277
00:26:53,197 --> 00:26:53,991
CAN I ASK YOU SOMETHING?

1278
00:26:53,991 --> 00:26:54,647
I'M SORRY.

1279
00:26:54,647 --> 00:26:55,510
IT'S BEEN BOTHERING ME.

1280
00:26:55,510 --> 00:26:56,166
GO AHEAD.

1281
00:26:56,166 --> 00:26:58,478
THIS TAPE...

1282
00:26:58,478 --> 00:26:59,445
HOW DID IT GET INTO THE HANDS

1283
00:26:59,445 --> 00:27:02,828
OF AN ADULT ENTERTAINMENT

1284
00:27:02,828 --> 00:27:05,693
COMPANY?

1285
00:27:05,693 --> 00:27:06,590
I HAVE NO IDEA.

1286
00:27:06,590 --> 00:27:12,803
I HONESTLY FEEL LIKE...

1287
00:27:12,803 --> 00:27:14,874
YOU HAD SOMETHING TO DO WITH IT.

1288
00:27:14,874 --> 00:27:16,324
AM I WRONG?

1289
00:27:16,324 --> 00:27:17,083
NO, YOU'RE NOT WRONG

1290
00:27:17,083 --> 00:27:18,291
FOR THINKING ANYTHING.

1291
00:27:18,291 --> 00:27:19,189
SO DID YOU HAVE SOMETHING

1292
00:27:19,189 --> 00:27:19,845
TO DO WITH IT?

1293
00:27:19,845 --> 00:27:21,640
ABSOLUTELY NO.

1294
00:27:21,640 --> 00:27:22,364
NIKKO IS LOOKING ME

1295
00:27:22,364 --> 00:27:23,780
DEAD IN MY EYE,

1296
00:27:23,780 --> 00:27:25,954
TELLING ME A BOLD-FACED LIE

1297
00:27:25,954 --> 00:27:27,853
ABOUT THIS TAPE BEING LEAKED.

1298
00:27:27,853 --> 00:27:29,302
I FEEL LIKE NOBODY JUST GOES

1299
00:27:29,302 --> 00:27:31,270
ON VACATION AND THE CAMERA'S

1300
00:27:31,270 --> 00:27:32,616
IN THEIR BAG AND THEN ALL

1301
00:27:32,616 --> 00:27:34,273
OF A SUDDEN, THE TAPE IS GONE.

1302
00:27:34,273 --> 00:27:35,136
REALLY?

1303
00:27:35,136 --> 00:27:36,413
HOW IRONIC.

1304
00:27:36,413 --> 00:27:38,311
AND YOU'RE SMILING ABOUT IT.

1305
00:27:38,311 --> 00:27:39,140
I'M JUST LISTENING.

1306
00:27:39,140 --> 00:27:39,865
LIKE, YOU WEREN'T IN

1307
00:27:39,865 --> 00:27:40,659
AN "OH, [bleep]" MOMENT

1308
00:27:40,659 --> 00:27:41,660
WHEN IT HAPPENED?

1309
00:27:41,660 --> 00:27:42,350
ABSOLUTELY.

1310
00:27:42,350 --> 00:27:43,558
WE WENT THROUGH THOSE EMOTIONS.

1311
00:27:43,558 --> 00:27:44,904
THAT'S OVER WITH.

1312
00:27:44,904 --> 00:27:46,388
IT'S NOT OVER WITH.

1313
00:27:46,388 --> 00:27:47,355
THIS IS WHAT I'M SAYING TO YOU.

1314
00:27:47,355 --> 00:27:48,597
IT'S NOT OVER BECAUSE

1315
00:27:48,597 --> 00:27:50,530
IT'S STILL LINGERING WITH HER.

1316
00:27:50,530 --> 00:27:51,428
IS IT?

1317
00:27:51,428 --> 00:27:52,187
YES.

1318
00:27:52,187 --> 00:27:52,843
OKAY.

1319
00:27:52,843 --> 00:27:53,672
PERSONALLY, ARIANE,

1320
00:27:53,672 --> 00:27:54,465
SHE'S BENEATH ME.

1321
00:27:54,465 --> 00:27:55,501
I DON'T HAVE TO ANSWER NONE

1322
00:27:55,501 --> 00:27:56,364
OF HER QUESTIONS.

1323
00:27:56,364 --> 00:27:57,468
IF ARIANE IS REALLY MIMI'S

1324
00:27:57,468 --> 00:27:58,504
FRIEND, THEN SHE SHOULD KNOW

1325
00:27:58,504 --> 00:28:00,402
HOW IMPORTANT I AM IN HER LIFE.

1326
00:28:00,402 --> 00:28:01,196
CLEARLY SHE DOESN'T TRUST

1327
00:28:01,196 --> 00:28:01,956
YOU.

1328
00:28:01,956 --> 00:28:02,853
I HAD--LISTEN, I CAN'T HELP

1329
00:28:02,853 --> 00:28:03,751
HER WITH HER TRUST ISSUES.

1330
00:28:03,751 --> 00:28:04,544
ALL I CAN DO IS COMFORT HER.

1331
00:28:04,544 --> 00:28:05,407
YES, YOU CAN.

1332
00:28:05,407 --> 00:28:06,236
YOU'RE NOT COMFORTING HER

1333
00:28:06,236 --> 00:28:07,271
WELL ENOUGH.

1334
00:28:07,271 --> 00:28:08,272
YOU'RE GREAT, AND SHE'S GOING

1335
00:28:08,272 --> 00:28:09,929
THROUGH SOMETHING.

1336
00:28:09,929 --> 00:28:11,931
WHERE'S--WHERE'S THE BALANCE?

1337
00:28:11,931 --> 00:28:12,725
WELL, JUST KEEP WATCHING,

1338
00:28:12,725 --> 00:28:13,450
THOUGH.

1339
00:28:13,450 --> 00:28:14,175
NO, THAT'S WHAT--

1340
00:28:14,175 --> 00:28:15,314
THAT'S YOUR FRIEND.

1341
00:28:15,314 --> 00:28:16,660
YOU SOUND CRAZY.

1342
00:28:16,660 --> 00:28:17,557
KEEP PAYING ATTENTION TO OUR

1343
00:28:17,557 --> 00:28:18,524
RELATIONSHIP LIKE YOU'RE DOING

1344
00:28:18,524 --> 00:28:19,214
RIGHT NOW.

1345
00:28:19,214 --> 00:28:20,043
NO, THAT'S NOT WHAT YOU WANT

1346
00:28:20,043 --> 00:28:20,768
ME TO PAY ATTENTION TO.

1347
00:28:20,768 --> 00:28:21,561
YOU WANT ME TO PAY ATTENTION

1348
00:28:21,561 --> 00:28:22,355
TO THIS SEX TAPE.

1349
00:28:22,355 --> 00:28:23,184
ARE YOU SERIOUS?

1350
00:28:23,184 --> 00:28:23,840
YES.

1351
00:28:23,840 --> 00:28:24,668
WELL, WATCH THAT TOO,

1352
00:28:24,668 --> 00:28:25,427
THOUGH, YEAH.

1353
00:28:25,427 --> 00:28:26,428
MM, THANKS.

1354
00:28:26,428 --> 00:28:27,498
NO.

1355
00:28:27,498 --> 00:28:28,189
I'M GOOD.

1356
00:28:28,189 --> 00:28:28,845
I FEEL LIKE YOU A FAKE

1357
00:28:28,845 --> 00:28:29,673
FRIEND.

1358
00:28:29,673 --> 00:28:30,398
I'M A FAKE FRIEND HOW?

1359
00:28:30,398 --> 00:28:31,123
ABSOLUTELY.

1360
00:28:31,123 --> 00:28:32,089
EXPLAIN YOURSELF.

1361
00:28:32,089 --> 00:28:32,849
'CAUSE I'M NOT AROUND?

1362
00:28:32,849 --> 00:28:33,712
YOU DON'T HAVE A INTEREST--

1363
00:28:33,712 --> 00:28:34,505
BECAUSE I'M NOT AROUND,

1364
00:28:34,505 --> 00:28:35,472
SO I'M A FAKE FRIEND?

1365
00:28:35,472 --> 00:28:36,162
I FEEL LIKE YOU WANT TO

1366
00:28:36,162 --> 00:28:37,163
CAPITALIZE ON EVERYTHING

1367
00:28:37,163 --> 00:28:37,819
SHE'S DOING.

1368
00:28:37,819 --> 00:28:38,509
ARE YOU KIDDING ME?

1369
00:28:38,509 --> 00:28:39,165
I DO MY OWN [bleep].

1370
00:28:39,165 --> 00:28:39,890
YOU WANT TO MOVE INTO THE

1371
00:28:39,890 --> 00:28:40,580
HOUSE.

1372
00:28:40,580 --> 00:28:41,202
REALLY?

1373
00:28:41,202 --> 00:28:41,996
I WANT TO MOVE INTO THE HOUSE?

1374
00:28:41,996 --> 00:28:42,686
I'M GOOD.

1375
00:28:42,686 --> 00:28:43,445
MY FRIEND COMES AND STAY

1376
00:28:43,445 --> 00:28:44,377
WITH ME WHEN SHE CAN'T DEAL

1377
00:28:44,377 --> 00:28:45,240
WITH Y'ALL [bleep].

1378
00:28:45,240 --> 00:28:46,034
WHY ARE YOU ASKING ME

1379
00:28:46,034 --> 00:28:46,932
THESE QUESTIONS?

1380
00:28:46,932 --> 00:28:48,002
THAT [bleep] IS COMING OUT.

1381
00:28:48,002 --> 00:28:49,313
IT'S ABOUT TO HIT HER HARD.

1382
00:28:49,313 --> 00:28:50,590
YOU DON'T CARE.

1383
00:28:50,590 --> 00:28:51,453
I DON'T?

1384
00:28:51,453 --> 00:28:52,282
I'M IN IT WITH HER.

1385
00:28:52,282 --> 00:28:53,110
WHAT DO YOU MEAN, I DON'T CARE?

1386
00:28:53,110 --> 00:28:53,766
I'M OUT.

1387
00:28:53,766 --> 00:28:54,456
ARE YOU SERIOUS?

1388
00:28:54,456 --> 00:28:55,285
BYE, NIKKO.

1389
00:28:55,285 --> 00:28:56,355
BYE-BYE.

1390
00:28:56,355 --> 00:28:57,425
WHEN YOU WANT TO TALK AGAIN,

1391
00:28:57,425 --> 00:28:58,184
JUST PICK UP THE PHONE.

1392
00:28:58,184 --> 00:29:01,394
NOPE, I'M GOOD.

1393
00:29:01,394 --> 00:29:06,779
ALL RIGHT, CALL ME.

1394
00:29:06,779 --> 00:29:08,436
ASHLEY, I AM SO GLAD

1395
00:29:08,436 --> 00:29:10,334
YOU IN ATLANTA, 'CAUSE WE ABOUT

1396
00:29:10,334 --> 00:29:11,439
TO TURN UP!

1397
00:29:11,439 --> 00:29:12,578
WHEN I SAY I NEEDED THIS,

1398
00:29:12,578 --> 00:29:13,752
MY GOODNESS.

1399
00:29:13,752 --> 00:29:15,581
WHOA!

1400
00:29:15,581 --> 00:29:16,616
ALL I'VE BEEN DOING IS WORKING,

1401
00:29:16,616 --> 00:29:17,721
WORKING, WORKING,

1402
00:29:17,721 --> 00:29:19,205
AND [bleep] MY HUSBAND.

1403
00:29:19,205 --> 00:29:22,691
SO I NEED A BREAK.

1404
00:29:22,691 --> 00:29:24,038
AND I THINK ASHLEY WILL BE THAT

1405
00:29:24,038 --> 00:29:24,866
FOR ME.

1406
00:29:24,866 --> 00:29:26,592
SO TONY LIKE, "YOU AND ASHLEY

1407
00:29:26,592 --> 00:29:27,835
GONNA BE TURNT UP ALL NIGHT,

1408
00:29:27,835 --> 00:29:28,559
ALL DAY.

1409
00:29:28,559 --> 00:29:29,284
I GOT OVERHEAD.

1410
00:29:29,284 --> 00:29:30,630
I GOT [bleep] I'M TRYING TO DO."

1411
00:29:30,630 --> 00:29:31,390
I'M LIKE, "YO, YOU NEED A

1412
00:29:31,390 --> 00:29:32,356
VACATION LIKE I NEED A

1413
00:29:32,356 --> 00:29:33,461
VACATION, AND ASHLEY GONNA BE

1414
00:29:33,461 --> 00:29:34,462
OUR VACATION."

1415
00:29:34,462 --> 00:29:35,428
WE JUST GOT TO MAKE SURE

1416
00:29:35,428 --> 00:29:36,360
THAT WE, LIKE, FOCUS,

1417
00:29:36,360 --> 00:29:38,328
BUT I JUST WANT TO HAVE FUN.

1418
00:29:38,328 --> 00:29:39,156
MAKE SURE WE BRING OUR

1419
00:29:39,156 --> 00:29:40,226
CLOTHES IN THE HOUSE WHEN

1420
00:29:40,226 --> 00:29:41,296
WE COME BACK IN.

1421
00:29:41,296 --> 00:29:42,125
YOU KNOW WHAT?

1422
00:29:42,125 --> 00:29:43,920
MIGHT HAVE TO DROP OUR PANTS

1423
00:29:43,920 --> 00:29:46,612
AT THE DOOR.

1424
00:29:46,612 --> 00:29:47,371
TONY GONNA HAVE TO CHILL,

1425
00:29:47,371 --> 00:29:48,269
SON.

1426
00:29:48,269 --> 00:29:49,408
I BE READY,

1427
00:29:49,408 --> 00:29:50,685
ALWAYS READY.

1428
00:29:50,685 --> 00:29:51,341
FOR WHAT?

1429
00:29:51,341 --> 00:29:52,100
BACK TO TWERK TIME.

1430
00:29:52,100 --> 00:29:52,860
TWERK AND WORK.

1431
00:29:52,860 --> 00:29:54,068
SO WE GONNA SHOW HIS ASS.

1432
00:29:54,068 --> 00:29:54,862
WE GONNA TWERK AND WE GONNA

1433
00:29:54,862 --> 00:29:55,690
WORK.

1434
00:29:55,690 --> 00:29:56,449
YEAH, WE GONNA TWERK

1435
00:29:56,449 --> 00:29:57,140
AND WE GONNA WORK.

1436
00:29:57,140 --> 00:29:57,865
MY GIRL ASHLEY IS READY

1437
00:29:57,865 --> 00:29:58,693
TO TWERK.

1438
00:29:58,693 --> 00:29:59,763
I KNOW I PROMISED TONY I WOULD

1439
00:29:59,763 --> 00:30:01,800
WORK, BUT, MAN, ASHLEY IS ABOUT

1440
00:30:01,800 --> 00:30:03,802
TO TURN UP ATL.

1441
00:30:03,802 --> 00:30:05,631
WE GOT A RED LIGHT.

1442
00:30:05,631 --> 00:30:06,597
OH, HOLD UP.

1443
00:30:06,597 --> 00:30:07,529
HOLD UP.

1444
00:30:07,529 --> 00:30:08,220
OH!

1445
00:30:08,220 --> 00:30:09,773
BOW, BOW, BOW, BOW!

1446
00:30:09,773 --> 00:30:10,947
OOH-AH!

1447
00:30:10,947 --> 00:30:13,087
HEY!

1448
00:30:13,087 --> 00:30:15,192
THAT'S ASS, ATLANTA.

1449
00:30:15,192 --> 00:30:18,575
Y'ALL SEE ALL THAT ASS, ATLANTA?

1450
00:30:18,575 --> 00:30:24,132
WHAT?

1451
00:30:24,132 --> 00:30:24,823
HI, BABY.

1452
00:30:24,823 --> 00:30:25,685
OOH.

1453
00:30:25,685 --> 00:30:27,239
I AIN'T SO TIRED NO MORE.

1454
00:30:27,239 --> 00:30:28,274
[laughs]

1455
00:30:28,274 --> 00:30:29,034
WHAT'S UP, MAMA?

1456
00:30:29,034 --> 00:30:30,242
I HAVE WINE

1457
00:30:30,242 --> 00:30:32,727
AND CHEESE AND CRACKERS.

1458
00:30:32,727 --> 00:30:33,832
RASHEEDA REALLY MADE ME THINK

1459
00:30:33,832 --> 00:30:34,729
ABOUT BEING COMPLETELY HONEST

1460
00:30:34,729 --> 00:30:35,764
WITH BENZINO.

1461
00:30:35,764 --> 00:30:36,489
AND THERE'S SOME THINGS

1462
00:30:36,489 --> 00:30:37,801
ABOUT MY PAST THAT WE NEVER

1463
00:30:37,801 --> 00:30:38,940
REALLY TALKED ABOUT.

1464
00:30:38,940 --> 00:30:39,872
SO I'MA LAY IT ALL OUT THERE

1465
00:30:39,872 --> 00:30:40,873
FOR BENZINO, AND I'MA PRAY

1466
00:30:40,873 --> 00:30:41,805
FOR THE BEST.

1467
00:30:41,805 --> 00:30:42,875
SO WHAT'S TONIGHT ALL ABOUT?

1468
00:30:42,875 --> 00:30:44,290
I KNOW I SLING IT GOOD,

1469
00:30:44,290 --> 00:30:45,982
BUT THIS IS WHAT YOU GET?

1470
00:30:45,982 --> 00:30:46,810
[laughs]

1471
00:30:46,810 --> 00:30:47,466
[laughing]

1472
00:30:47,466 --> 00:30:49,778
THIS IS THE REWARD?

1473
00:30:49,778 --> 00:30:51,090
WHAT'S GOING ON, BABY?

1474
00:30:51,090 --> 00:30:52,643
WELL, I KIND OF WANTED--

1475
00:30:52,643 --> 00:30:53,437
I HAD A LOT OF STUFF

1476
00:30:53,437 --> 00:30:55,336
ON MY MIND.

1477
00:30:55,336 --> 00:30:56,475
ABOUT WHAT?

1478
00:30:56,475 --> 00:30:58,408
ABOUT US AND--

1479
00:30:58,408 --> 00:31:02,170
I MEAN, WE GOING GOOD.

1480
00:31:02,170 --> 00:31:03,137
YOU SAY THAT YOU MIGHT

1481
00:31:03,137 --> 00:31:05,139
MARRY ME ONE DAY.

1482
00:31:05,139 --> 00:31:06,105
YEAH, I WANT--

1483
00:31:06,105 --> 00:31:06,968
I MEAN, THAT'S WHAT'S--

1484
00:31:06,968 --> 00:31:07,796
YOU SAY THAT YOU'RE GONNA

1485
00:31:07,796 --> 00:31:08,556
GIVE ME A RING ONE DAY

1486
00:31:08,556 --> 00:31:09,246
AND EVERYTHING.

1487
00:31:09,246 --> 00:31:10,282
BABE, YOU GONNA PUT THIS

1488
00:31:10,282 --> 00:31:11,662
FIREPLACE UP WITH SOME CHEESE

1489
00:31:11,662 --> 00:31:12,353
AND CRACKERS--

1490
00:31:12,353 --> 00:31:13,216
NO, I JUST WANT--

1491
00:31:13,216 --> 00:31:14,148
[bleep], YOU AIN'T NEVER DID

1492
00:31:14,148 --> 00:31:14,976
CHEESE AND CRACKERS

1493
00:31:14,976 --> 00:31:15,666
JUST TO, LIKE--

1494
00:31:15,666 --> 00:31:16,357
WHAT THE [bleep]?

1495
00:31:16,357 --> 00:31:17,082
WHAT YOU MEAN, KEEP--

1496
00:31:17,082 --> 00:31:17,945
I BEEN KEEPING IT 100.

1497
00:31:17,945 --> 00:31:18,669
OKAY.

1498
00:31:18,669 --> 00:31:19,463
I HAVEN'T BEEN KEEPING IT

1499
00:31:19,463 --> 00:31:20,119
100?

1500
00:31:20,119 --> 00:31:20,844
NO, NOT REALLY.

1501
00:31:20,844 --> 00:31:22,190
REALLY?

1502
00:31:22,190 --> 00:31:23,019
HOW?

1503
00:31:23,019 --> 00:31:24,089
SO DID YOU EVER HAVE

1504
00:31:24,089 --> 00:31:26,574
A TALK WITH STEVIE THAT...

1505
00:31:26,574 --> 00:31:27,609
YOU KNOW, THAT HE KNEW ME

1506
00:31:27,609 --> 00:31:28,265
AND EVERYTHING BEFORE,

1507
00:31:28,265 --> 00:31:28,887
PRIOR TO YOU?

1508
00:31:28,887 --> 00:31:29,715
NO.

1509
00:31:29,715 --> 00:31:32,476
BUT YOU KNOW THAT

1510
00:31:32,476 --> 00:31:34,306
WE DID IT ONE NIGHT, RIGHT?

1511
00:31:34,306 --> 00:31:35,100
[clicks tongue]

1512
00:31:35,100 --> 00:31:36,204
WAY BACK IN THE BEGINNING,

1513
00:31:36,204 --> 00:31:37,378
STEVIE CALLED ME AND ASKED ME

1514
00:31:37,378 --> 00:31:38,379
TO COME TO THE STUDIO,

1515
00:31:38,379 --> 00:31:39,725
AND BENZINO WAS THERE.

1516
00:31:39,725 --> 00:31:40,933
I ASSUMED THAT BENZINO KNEW

1517
00:31:40,933 --> 00:31:41,900
WHAT HAPPENED BETWEEN ME

1518
00:31:41,900 --> 00:31:43,039
AND STEVIE, BUT MAYBE

1519
00:31:43,039 --> 00:31:44,005
I WAS WRONG.

1520
00:31:44,005 --> 00:31:44,764
I DON'T WANT TO FEEL LIKE

1521
00:31:44,764 --> 00:31:45,455
I'M GETTING PLAYED.

1522
00:31:45,455 --> 00:31:46,490
SO YOU SITTING HERE

1523
00:31:46,490 --> 00:31:47,560
ADMITTING TODAY, RIGHT NOW,

1524
00:31:47,560 --> 00:31:48,734
YOU AND STEVIE [bleep] AROUND,

1525
00:31:48,734 --> 00:31:50,529
BUT YOU TELLING ME

1526
00:31:50,529 --> 00:31:51,910
THAT I'M PLAYING YOU?

1527
00:31:51,910 --> 00:31:52,703
'CAUSE YOU KNEW CERTAIN

1528
00:31:52,703 --> 00:31:54,291
THINGS AND YOU DON'T ADDRESS--

1529
00:31:54,291 --> 00:31:55,672
HOW THE [bleep] DID I KNOW

1530
00:31:55,672 --> 00:31:57,260
ABOUT YOU AND STEVIE?

1531
00:31:57,260 --> 00:31:58,468
I DIDN'T ASK.

1532
00:31:58,468 --> 00:31:59,365
IT'S LIKE THE ARMY.

1533
00:31:59,365 --> 00:32:02,058
DON'T [bleep] ASK, DON'T TELL.

1534
00:32:02,058 --> 00:32:02,817
THERE'S BEEN SOME GIRLS

1535
00:32:02,817 --> 00:32:03,611
THAT ALTHEA KNOWS

1536
00:32:03,611 --> 00:32:04,923
THAT I'VE ROCKED WITH.

1537
00:32:04,923 --> 00:32:05,924
AND THERE'S BEEN SOME GUYS

1538
00:32:05,924 --> 00:32:06,821
THAT I KNOW THAT THEA'S

1539
00:32:06,821 --> 00:32:07,926
ROCKED WITH.

1540
00:32:07,926 --> 00:32:08,650
ONE OF THE GUYS HAPPENED

1541
00:32:08,650 --> 00:32:09,858
TO BE STEVIE.

1542
00:32:09,858 --> 00:32:11,032
ANYTHING THAT IS NEGATIVE

1543
00:32:11,032 --> 00:32:12,861
IN MY PAST, I PUT THAT [bleep]

1544
00:32:12,861 --> 00:32:14,691
IN THE TRASH AND I WIPE IT OUT.

1545
00:32:14,691 --> 00:32:15,450
POINT IS, IS YOU GUYS

1546
00:32:15,450 --> 00:32:16,520
IS BEST FRIENDS,

1547
00:32:16,520 --> 00:32:17,314
AND YOU GUYS IS AROUND EACH

1548
00:32:17,314 --> 00:32:18,108
OTHER EVERY DAY.

1549
00:32:18,108 --> 00:32:19,282
AND I WANT EVERYTHING LAID OUT

1550
00:32:19,282 --> 00:32:20,041
ON THE TABLE.

1551
00:32:20,041 --> 00:32:21,146
ANOTHER REASON WHY I JUST WANTED

1552
00:32:21,146 --> 00:32:22,285
TO TALK ABOUT IT, BECAUSE

1553
00:32:22,285 --> 00:32:23,286
WE'RE ALWAYS AROUND STEVIE

1554
00:32:23,286 --> 00:32:24,080
AND JOSELINE.

1555
00:32:24,080 --> 00:32:26,116
AND I FEEL LIKE SHE KNOWS,

1556
00:32:26,116 --> 00:32:26,875
BUT SHE'S JUST NOT SAYING

1557
00:32:26,875 --> 00:32:27,704
ANYTHING.

1558
00:32:27,704 --> 00:32:28,947
ANY GIRL AROUND [bleep]

1559
00:32:28,947 --> 00:32:30,431
STEVIE, SHE THINKS IS [bleep].

1560
00:32:30,431 --> 00:32:31,156
HOW COME WHEN SHE CAME

1561
00:32:31,156 --> 00:32:32,260
TO THE STUDIO, SHE WAS LIKE,

1562
00:32:32,260 --> 00:32:33,054
"I KNOW SOMETHING.

1563
00:32:33,054 --> 00:32:33,952
I'M JUST WAITING--

1564
00:32:33,952 --> 00:32:34,883
YOU KNOW, WAITING FOR THE RIGHT

1565
00:32:34,883 --> 00:32:35,608
TIME"?

1566
00:32:35,608 --> 00:32:36,437
I'M LIKE--I JUST DON'T WANT

1567
00:32:36,437 --> 00:32:37,438
TO BE IN ANY AWKWARD SITUATIONS

1568
00:32:37,438 --> 00:32:38,439
WHERE I THINK THAT SOMEBODY

1569
00:32:38,439 --> 00:32:39,371
MIGHT KNOW SOMETHING

1570
00:32:39,371 --> 00:32:40,372
AND THEN I'M, LIKE, BLINDED

1571
00:32:40,372 --> 00:32:41,580
TO IT.

1572
00:32:41,580 --> 00:32:42,650
WHETHER I KNOW OR DIDN'T

1573
00:32:42,650 --> 00:32:44,100
KNOW, I DIDN'T WANT TO [bleep]

1574
00:32:44,100 --> 00:32:44,893
THINK ABOUT IT.

1575
00:32:44,893 --> 00:32:45,860
BUT SOMEBODY THAT I'M TRYING

1576
00:32:45,860 --> 00:32:46,550
TO BUILD MY LIFE WITH,

1577
00:32:46,550 --> 00:32:47,551
WE NEED TO FACE IT.

1578
00:32:47,551 --> 00:32:48,414
I DON'T--I WANT TO TALK ABOUT

1579
00:32:48,414 --> 00:32:50,140
IT NOW BECAUSE I FEEL LIKE WE--

1580
00:32:50,140 --> 00:32:50,969
IT'S LIKE WE'RE SUPPRESSING

1581
00:32:50,969 --> 00:32:52,142
SOMETHING.

1582
00:32:52,142 --> 00:32:52,971
YOU SHOULD BE HAPPY THAT

1583
00:32:52,971 --> 00:32:53,695
YOU HAVE A GOOD WOMAN--

1584
00:32:53,695 --> 00:32:54,489
I SHOULD BE HAPPY?

1585
00:32:54,489 --> 00:32:55,180
WHAT THE [bleep]

1586
00:32:55,180 --> 00:32:55,870
IS YOU TALKING--

1587
00:32:55,870 --> 00:32:56,733
THAT WANTS EVERYTHING OUT ON

1588
00:32:56,733 --> 00:32:57,527
THE TABLE AND HAVE NOTHING TO

1589
00:32:57,527 --> 00:32:58,183
HIDE AND I LOVE YOU.

1590
00:32:58,183 --> 00:32:59,218
REALLY? WOW.

1591
00:32:59,218 --> 00:33:00,219
WE SHOULD TALK ABOUT THESE

1592
00:33:00,219 --> 00:33:01,358
ARRANGEMENTS.

1593
00:33:01,358 --> 00:33:04,223
BECAUSE I KIND OF TOLD VICK

1594
00:33:04,223 --> 00:33:07,847
THAT WE WAS GONNA KIND OF

1595
00:33:07,847 --> 00:33:20,481
BE IN ALL ONE ROOM.

1596
00:33:20,481 --> 00:33:22,552
OH, MY BABY.

1597
00:33:22,552 --> 00:33:23,967
I'M GLAD MY BABY'S HERE.

1598
00:33:23,967 --> 00:33:25,175
ME TOO.

1599
00:33:25,175 --> 00:33:26,073
COULDN'T WAIT TO SEE YOUR

1600
00:33:26,073 --> 00:33:27,557
ASS SO I COULD SLAP IT.

1601
00:33:27,557 --> 00:33:29,352
WHOA!

1602
00:33:29,352 --> 00:33:31,285
TWERK, TWERK, BOW, BOW.

1603
00:33:31,285 --> 00:33:32,182
WORK AND TWERK.

1604
00:33:32,182 --> 00:33:33,390
I WANT TO PROVE TO MY HUSBAND,

1605
00:33:33,390 --> 00:33:35,082
TONY, THAT BY ASHLEY COMING

1606
00:33:35,082 --> 00:33:37,291
DOWN, IT WILL NOT DISTRACT ME

1607
00:33:37,291 --> 00:33:41,191
FROM GETTING THIS ALBUM DONE.

1608
00:33:41,191 --> 00:33:43,469
WHAT IT WILL DO IS MOTIVATE ME.

1609
00:33:43,469 --> 00:33:44,988
MAN, LISTEN.

1610
00:33:44,988 --> 00:33:46,541
I MEAN, IT IS WHAT EVERY

1611
00:33:46,541 --> 00:33:47,853
[bleep] WANTS.

1612
00:33:47,853 --> 00:33:48,854
LET'S BE REAL.

1613
00:33:48,854 --> 00:33:49,717
IF I'M A KID, I GO IN THE CANDY

1614
00:33:49,717 --> 00:33:51,443
STORE, I WANT IT ALL.

1615
00:33:51,443 --> 00:33:52,444
HOW LONG YOU STAYING?

1616
00:33:52,444 --> 00:33:54,066
UNTIL I'M RET TO GO.

1617
00:33:54,066 --> 00:33:54,998
KIND OF GLAD YOU HERE.

1618
00:33:54,998 --> 00:33:55,654
YOU SHOULD BE.

1619
00:33:55,654 --> 00:33:56,965
YOU CAN HELP YOUR BOO FRIEND

1620
00:33:56,965 --> 00:33:58,139
OUT HERE IN THE STUDIO,

1621
00:33:58,139 --> 00:34:00,003
GIVE HER SOME ENCOURAGEMENT.

1622
00:34:00,003 --> 00:34:00,831
SHE NEEDS ME.

1623
00:34:00,831 --> 00:34:02,557
I FEEL LIKE WITH YOUR

1624
00:34:02,557 --> 00:34:04,939
INSPIRATION AND NOT YOUR...

1625
00:34:04,939 --> 00:34:06,354
ASS-PIRATION?

1626
00:34:06,354 --> 00:34:08,046
[laughter]

1627
00:34:08,046 --> 00:34:08,770
WOW.

1628
00:34:08,770 --> 00:34:09,495
THAT WAS COOL.

1629
00:34:09,495 --> 00:34:10,634
ASHLEY'S ASS

1630
00:34:10,634 --> 00:34:12,533
IS DEFINITELY GONNA HELP ME

1631
00:34:12,533 --> 00:34:14,121
WITH THE BLACK ORCHIDPROJECT

1632
00:34:14,121 --> 00:34:15,743
BECAUSE SHE HAS A FAT ONE,

1633
00:34:15,743 --> 00:34:17,055
AND WHEN I SEE IT,

1634
00:34:17,055 --> 00:34:18,470
I GET CREATIVE,

1635
00:34:18,470 --> 00:34:19,919
AND I WANT TO WRITE RECORDS.

1636
00:34:19,919 --> 00:34:21,197
CHEERS.

1637
00:34:21,197 --> 00:34:22,853
TO GOOD FRIENDSHIP,

1638
00:34:22,853 --> 00:34:24,717
LONG LOVE,

1639
00:34:24,717 --> 00:34:25,891
AND PROSPERITY.

1640
00:34:25,891 --> 00:34:26,547
ABSOLUTELY.

1641
00:34:26,547 --> 00:34:27,203
AND HARD WORK.

1642
00:34:27,203 --> 00:34:27,927
LET'S GO.

1643
00:34:27,927 --> 00:34:28,583
AND HARD WORK.

1644
00:34:28,583 --> 00:34:29,239
LET'S DO IT.

1645
00:34:29,239 --> 00:34:29,998
YEAH.

1646
00:34:29,998 --> 00:34:30,930
I'M JUST TRYING TO FIGURE OUT,

1647
00:34:30,930 --> 00:34:33,001
LIKE, IF Y'ALL ARE PARTYING

1648
00:34:33,001 --> 00:34:34,727
AND HANGING OUT,

1649
00:34:34,727 --> 00:34:35,866
DOING ALL THAT STUFF,

1650
00:34:35,866 --> 00:34:37,316
WHERE DO I FIT IN THAT?

1651
00:34:37,316 --> 00:34:40,423
I AM PRETTY SURE

1652
00:34:40,423 --> 00:34:41,700
THAT ASHLEY WANTS ME

1653
00:34:41,700 --> 00:34:46,532
ALL TO HERSELF.

1654
00:34:46,532 --> 00:34:48,465
I'LL SEE YOU GUYS UPSTAIRS?

1655
00:34:48,465 --> 00:34:49,225
STRAIGHT UP.

1656
00:34:49,225 --> 00:34:50,812
I LOVE WOMEN.

1657
00:34:50,812 --> 00:34:52,469
SO I CAN'T BE WITH A WOMAN

1658
00:34:52,469 --> 00:34:54,126
THAT DON'T LOVE WOMEN.

1659
00:34:54,126 --> 00:34:55,127
IT'S JUST NOW WE HAVE TO FIGURE

1660
00:34:55,127 --> 00:34:57,440
OUT HOW TO LOVE WOMEN TOGETHER.

1661
00:34:57,440 --> 00:34:58,303
WE SHOULD TALK ABOUT

1662
00:34:58,303 --> 00:35:00,891
THESE ARRANGEMENTS.

1663
00:35:00,891 --> 00:35:02,548
BECAUSE...

1664
00:35:02,548 --> 00:35:03,963
I KIND OF TOLD VICK

1665
00:35:03,963 --> 00:35:05,413
THAT WE WERE GONNA KIND OF

1666
00:35:05,413 --> 00:35:06,863
BE IN ALL ONE ROOM.

1667
00:35:06,863 --> 00:35:07,553
I DON'T KNOW HOW YOU FEEL

1668
00:35:07,553 --> 00:35:08,830
ABOUT THAT.

1669
00:35:08,830 --> 00:35:12,731
LET ME KNOW.

1670
00:35:12,731 --> 00:35:16,562
NO.

1671
00:35:16,562 --> 00:35:17,598
FROM THE IMPRESSION

1672
00:35:17,598 --> 00:35:18,633
THAT I GOT, AND, YOU KNOW,

1673
00:35:18,633 --> 00:35:20,773
MAYBE I'M JUST DREAMING,

1674
00:35:20,773 --> 00:35:21,567
BUT I THOUGHT I WAS GONNA WAKE

1675
00:35:21,567 --> 00:35:22,879
UP TO TWO FAT BOOTIES

1676
00:35:22,879 --> 00:35:24,432
IN THE MORNING, LIKE,

1677
00:35:24,432 --> 00:35:25,606
WHOO!

1678
00:35:25,606 --> 00:35:26,641
OH, HMM.

1679
00:35:26,641 --> 00:35:28,126
JUST A VISION.

1680
00:35:28,126 --> 00:35:29,265
I BELIEVE IN YOUR VISION,

1681
00:35:29,265 --> 00:35:30,714
BECAUSE IF I WAS A MAN,

1682
00:35:30,714 --> 00:35:32,475
I WOULD WANT THAT VISION TOO.

1683
00:35:32,475 --> 00:35:33,269
YOU COOL WITH THAT?

1684
00:35:33,269 --> 00:35:34,028
I'M JUST SAYING,

1685
00:35:34,028 --> 00:35:34,753
IT'S ONLY FUN IF THE HOMIES

1686
00:35:34,753 --> 00:35:35,857
CAN HAVE SOME TOO, RIGHT?

1687
00:35:35,857 --> 00:35:36,651
both: NO.

1688
00:35:36,651 --> 00:35:38,239
OH. NO?

1689
00:35:38,239 --> 00:35:39,206
both: NO.

1690
00:35:39,206 --> 00:35:39,930
Y'ALL GONNA LEAVE ME

1691
00:35:39,930 --> 00:35:40,621
LIKE THIS?

1692
00:35:40,621 --> 00:35:41,277
HOLY [bleep].

1693
00:35:41,277 --> 00:35:42,485
THE KITCHEN'S DONE.

1694
00:35:42,485 --> 00:35:43,693
WELL, THAT'S WHAT IT LOOKS

1695
00:35:43,693 --> 00:35:44,625
LIKE, YOU KNOW.

1696
00:35:44,625 --> 00:35:45,281
WELL, Y'ALL GO AHEAD

1697
00:35:45,281 --> 00:35:45,971
AND DO YOUR THING.

1698
00:35:45,971 --> 00:35:46,696
I'LL TALK TO YOU LATER.

1699
00:35:46,696 --> 00:35:47,697
YOU DON'T MIND, DO YOU?

1700
00:35:47,697 --> 00:35:48,663
NO, HE DON'T MIND.

1701
00:35:48,663 --> 00:35:50,078
GET YOUR ASS--

1702
00:35:50,078 --> 00:35:51,356
Y'ALL JUST LEAVE ME HERE,

1703
00:35:51,356 --> 00:35:52,426
YOU KNOW, WITH ALL THE DISHES

1704
00:35:52,426 --> 00:35:53,427
BY MYSELF.

1705
00:35:53,427 --> 00:35:56,257
I'LL SEE YOU IN A FEW.

1706
00:35:56,257 --> 00:35:59,536
ALL RIGHT, BABY.

1707
00:35:59,536 --> 00:36:02,505
I'M NOT CLEANING THAT

1708
00:36:02,505 --> 00:36:03,022
[bleep].

1709
00:36:03,022 --> 00:36:12,066
[delicate piano music]

1710
00:36:12,066 --> 00:36:37,712
♪

1711
00:36:37,712 --> 00:36:38,541
I JUST GOT THE PHONE CALL

1712
00:36:38,541 --> 00:36:41,026
THAT MY FATHER...

1713
00:36:41,026 --> 00:36:42,027
[crying] HE WAS CRYING.

1714
00:36:42,027 --> 00:36:42,890
AND I KNEW IT WAS SOMETHING

1715
00:36:42,890 --> 00:36:43,684
THE MATTER.

1716
00:36:43,684 --> 00:36:44,443
AND THEN HE TOLD ME MY MOTHER

1717
00:36:44,443 --> 00:36:46,445
DIED, AND I JUST WAS IN SHOCK.

1718
00:36:46,445 --> 00:36:50,104
[crying]

1719
00:36:50,104 --> 00:36:51,726
AND MY WHOLE WORLD JUST--

1720
00:36:51,726 --> 00:36:54,557
JUST CAME TO AN END.

1721
00:36:54,557 --> 00:36:56,317
MY FAMILY'S IN BOSTON,

1722
00:36:56,317 --> 00:36:58,112
SO I KIND OF HAD TO HURRY UP,

1723
00:36:58,112 --> 00:36:59,389
PACK MY BAGS, AND GET THERE

1724
00:36:59,389 --> 00:37:01,184
AS SOON AS POSSIBLE.

1725
00:37:01,184 --> 00:37:02,220
BUT I KNEW AT THE SAME TIME,

1726
00:37:02,220 --> 00:37:03,428
THIS WASN'T--IT WAS GONNA BE

1727
00:37:03,428 --> 00:37:04,498
DYSFUNCTIONAL BECAUSE

1728
00:37:04,498 --> 00:37:06,293
MY RELATIONSHIPS WITH OTHER

1729
00:37:06,293 --> 00:37:07,328
MEMBERS OF MY FAMILY

1730
00:37:07,328 --> 00:37:08,743
HAVE BEEN KIND OF STRAINED

1731
00:37:08,743 --> 00:37:10,262
A LITTLE BIT.

1732
00:37:10,262 --> 00:37:11,125
TO BE HONEST WITH YOU,

1733
00:37:11,125 --> 00:37:12,126
I WAS NUMB.

1734
00:37:12,126 --> 00:37:13,576
I COULDN'T EVEN THINK.

1735
00:37:13,576 --> 00:37:14,508
I JUST COULDN'T EVEN THINK.

1736
00:37:14,508 --> 00:37:15,923
I WAS JUST QUIET AND NUMB.

1737
00:37:15,923 --> 00:37:17,165
AND I FELT LIKE MY BODY

1738
00:37:17,165 --> 00:37:18,305
WAS MOVING, BUT MY MIND

1739
00:37:18,305 --> 00:37:19,892
HAD JUST WENT BLANK.

1740
00:37:19,892 --> 00:37:21,066
[sniffles]

1741
00:37:21,066 --> 00:37:22,688
AND I WAS JUST IN A COLD,

1742
00:37:22,688 --> 00:37:23,620
COLD SPACE.

1743
00:37:23,620 --> 00:37:25,967
I WAS IN A COLD, DARK SPACE.

1744
00:37:25,967 --> 00:37:29,833
AND...

1745
00:37:29,833 --> 00:37:31,214
I FEEL BAD FOR ANYBODY OUT THERE

1746
00:37:31,214 --> 00:37:36,357
THAT LOST THEIR MOTHER.

1747
00:37:36,357 --> 00:37:42,260
'CAUSE IT AIN'T EASY.

1748
00:37:42,260 --> 00:37:44,331
ZINO'S MOM HAD PASSED AWAY.

1749
00:37:44,331 --> 00:37:45,159
THERE'S JUST, LIKE, SOME

1750
00:37:45,159 --> 00:37:46,264
CRAZINESS GOING ON.

1751
00:37:46,264 --> 00:37:47,334
LIKE, MONEY, POWER,

1752
00:37:47,334 --> 00:37:50,992
GREED, FAMILY--

1753
00:37:50,992 --> 00:38:00,105
SOMETIMES IT DON'T MIX.

1754
00:38:00,105 --> 00:38:02,210
I GOT THE CALL FROM ZINO

1755
00:38:02,210 --> 00:38:04,005
ABOUT HIS MOM PASSING.

1756
00:38:04,005 --> 00:38:05,283
AND HE COULDN'T EVEN TALK.

1757
00:38:05,283 --> 00:38:07,457
YOU KNOW, HE WAS JUST

1758
00:38:07,457 --> 00:38:08,976
BAWLING OUT OF CONTROL.

1759
00:38:08,976 --> 00:38:10,391
SO IT'S JUST SOME STUFF,

1760
00:38:10,391 --> 00:38:11,150
SOME FUNNY BUSINESS

1761
00:38:11,150 --> 00:38:12,773
WITH THE FAMILY, MAN.

1762
00:38:12,773 --> 00:38:14,913
IT'S JUST A WRETCHED MESS, MAN.

1763
00:38:14,913 --> 00:38:15,879
MORNING, BABE.

1764
00:38:15,879 --> 00:38:18,537
HEY, BABE, WHERE YOU GOING?

1765
00:38:18,537 --> 00:38:19,297
I GOT TO GO.

1766
00:38:19,297 --> 00:38:20,090
WHAT'S GOING ON?

1767
00:38:20,090 --> 00:38:21,091
WHY YOU DRESSED UP?

1768
00:38:21,091 --> 00:38:22,092
I GOT TO GO TO BOSTON.

1769
00:38:22,092 --> 00:38:23,024
WHAT HAPPENED?

1770
00:38:23,024 --> 00:38:24,371
ZINO'S MOM HAD BEEN SICK

1771
00:38:24,371 --> 00:38:26,752
FOR A WHILE, AND

1772
00:38:26,752 --> 00:38:28,754
SHE PASSED AWAY.

1773
00:38:28,754 --> 00:38:29,755
AND IT'S A LOT GOING ON

1774
00:38:29,755 --> 00:38:30,963
WITH THE FAMILY.

1775
00:38:30,963 --> 00:38:31,688
THERE'S JUST, LIKE, SOME

1776
00:38:31,688 --> 00:38:32,758
CRAZINESS GOING ON.

1777
00:38:32,758 --> 00:38:33,897
LIKE, MONEY, POWER,

1778
00:38:33,897 --> 00:38:35,451
GREED, FAMILY--

1779
00:38:35,451 --> 00:38:36,624
SOMETIMES IT DON'T MIX.

1780
00:38:36,624 --> 00:38:37,418
I JUST WANT TO GET THERE

1781
00:38:37,418 --> 00:38:38,557
AND MAKE SURE MY BRO IS GOOD,

1782
00:38:38,557 --> 00:38:39,489
YOU KNOW?

1783
00:38:39,489 --> 00:38:40,525
I DEFINITELY FEEL LIKE

1784
00:38:40,525 --> 00:38:41,284
YOU SHOULD DO THAT.

1785
00:38:41,284 --> 00:38:42,009
I FEEL BAD.

1786
00:38:42,009 --> 00:38:42,906
I MEAN, I DON'T KNOW WHAT TO

1787
00:38:42,906 --> 00:38:43,562
SAY.

1788
00:38:43,562 --> 00:38:44,529
YOU KNOW, HE NEEDS YOU MORE

1789
00:38:44,529 --> 00:38:45,288
THAN ANYBODY.

1790
00:38:45,288 --> 00:38:46,289
HOW WAS HIS RELATIONSHIP

1791
00:38:46,289 --> 00:38:47,704
WITH HIS MOTHER?

1792
00:38:47,704 --> 00:38:49,119
IT WAS ABOUT LIKE WHAT

1793
00:38:49,119 --> 00:38:50,086
MINE IS WITH MINE,

1794
00:38:50,086 --> 00:38:51,398
YOU KNOW WHAT I'M SAYING?

1795
00:38:51,398 --> 00:38:52,295
THAT'S WHY I ALWAYS TELL YOU

1796
00:38:52,295 --> 00:38:53,331
TO CALL YOUR MOTHER.

1797
00:38:53,331 --> 00:38:54,332
YOU GOT TO GET CLOSE TO YOUR

1798
00:38:54,332 --> 00:38:55,160
MOTHER, BABE.

1799
00:38:55,160 --> 00:38:56,023
IT'S ABOUT THAT TIME.

1800
00:38:56,023 --> 00:38:57,093
TIME IS TICKING.

1801
00:38:57,093 --> 00:38:57,921
YOU KNOW, ME AND MY MOM

1802
00:38:57,921 --> 00:38:58,819
HAVEN'T HAD THE BEST

1803
00:38:58,819 --> 00:39:00,993
RELATIONSHIP, AND JOSELINE IS--

1804
00:39:00,993 --> 00:39:02,270
SHE'S ALWAYS PUSHING ME

1805
00:39:02,270 --> 00:39:03,341
TO GET INTO A RELATIONSHIP

1806
00:39:03,341 --> 00:39:04,480
WITH MY MOTHER.

1807
00:39:04,480 --> 00:39:06,447
AND NOW I SEE WHY.

1808
00:39:06,447 --> 00:39:07,345
I JUST DON'T WANT TO MAKE

1809
00:39:07,345 --> 00:39:08,449
YOU FEEL LIKE--'CAUSE I KNOW

1810
00:39:08,449 --> 00:39:09,347
ME AND YOU DOING A LOT

1811
00:39:09,347 --> 00:39:10,140
AS FAR AS PUTTING THIS SHOW

1812
00:39:10,140 --> 00:39:10,865
TOGETHER.

1813
00:39:10,865 --> 00:39:11,694
IT WOULD BE SELFISH

1814
00:39:11,694 --> 00:39:13,178
TO ACT LIKE I'M UPSET

1815
00:39:13,178 --> 00:39:13,903
THAT YOU'RE LEAVING.

1816
00:39:13,903 --> 00:39:14,593
HE NEEDS YOU.

1817
00:39:14,593 --> 00:39:15,801
YOUR FRIEND NEEDS YOU RIGHT NOW.

1818
00:39:15,801 --> 00:39:16,699
BUT YOU NEED ME TOO.

1819
00:39:16,699 --> 00:39:17,941
I NEED YOU, BUT I CAN HANDLE

1820
00:39:17,941 --> 00:39:19,287
IT WHILE YOU'RE GONE, YOU KNOW?

1821
00:39:19,287 --> 00:39:20,185
I LOVE YOU, BABY.

1822
00:39:20,185 --> 00:39:21,048
I LOVE YOU TOO.

1823
00:39:21,048 --> 00:39:21,842
DON'T WORRY ABOUT ANYTHING.

1824
00:39:21,842 --> 00:39:22,498
I'M GONNA TAKE CARE OF

1825
00:39:22,498 --> 00:39:23,464
THE REHEARSAL, EVERYTHING.

1826
00:39:23,464 --> 00:39:24,154
I GOT THAT.

1827
00:39:24,154 --> 00:39:25,259
YOU JUST GO BE THERE

1828
00:39:25,259 --> 00:39:26,364
AND SUPPORT YOUR HOMEY,

1829
00:39:26,364 --> 00:39:27,434
'CAUSE HE NEEDS YOU RIGHT NOW.

1830
00:39:27,434 --> 00:39:28,331
HOLD DOWN THE FORT FOR ME.

1831
00:39:28,331 --> 00:39:29,056
I'LL BE RIGHT BACK.

1832
00:39:29,056 --> 00:39:30,229
I GOT YOU.

1833
00:39:30,229 --> 00:39:31,161
LOVE YOU, BABY.

1834
00:39:31,161 --> 00:39:32,128
I LOVE YOU TOO.

1835
00:39:32,128 --> 00:39:33,750
MM.

1836
00:39:33,750 --> 00:39:34,475
HAVE A SAFE FLIGHT.

1837
00:39:34,475 --> 00:39:35,511
LET ME WALK YOU OUTSIDE.

1838
00:39:35,511 --> 00:39:37,271
WHEN I HEARD ZINO'S MOM PASSED

1839
00:39:37,271 --> 00:39:38,652
AWAY, I FELT REALLY BAD.

1840
00:39:38,652 --> 00:39:39,722
NOBODY WANTS THEY PARENTS

1841
00:39:39,722 --> 00:39:41,068
TO PASS AWAY, AND THAT'S WHY

1842
00:39:41,068 --> 00:39:42,138
I ALWAYS TELL STEVIE,

1843
00:39:42,138 --> 00:39:44,934
"CALL YOUR MOTHER."

1844
00:39:44,934 --> 00:39:52,217
I LOVE YOU.

1845
00:39:52,217 --> 00:39:52,907
NEXT TIME ON

1846
00:39:52,907 --> 00:39:53,839
LOVE and HIP-HOP: ATLANTA...

1847
00:39:53,839 --> 00:39:55,151
JOSELINE JUST TOLD ME

1848
00:39:55,151 --> 00:39:56,842
THAT NIKKO AND THEA'S [bleep].

1849
00:39:56,842 --> 00:39:58,188
YOU TELLING ME THAT SHE WAS

1850
00:39:58,188 --> 00:39:59,604
DOING STEVIE TOO?

1851
00:39:59,604 --> 00:40:00,294
SHE WAS.

1852
00:40:00,294 --> 00:40:00,950
YOU KNOW THAT BITCH

1853
00:40:00,950 --> 00:40:01,778
GONNA FLIP HER WIG.

1854
00:40:01,778 --> 00:40:02,503
WELL, HOS KNOW HOS.

1855
00:40:02,503 --> 00:40:03,953
SHE SHOULD KNOW.

1856
00:40:03,953 --> 00:40:04,988
WHAT?

1857
00:40:04,988 --> 00:40:05,955
I'M JUST SAYING.

1858
00:40:05,955 --> 00:40:07,128
OH, NO, BITCH, WHAT?

1859
00:40:07,128 --> 00:40:08,613
ERICA TOLD ME THAT MIMI

1860
00:40:08,613 --> 00:40:10,753
TOLD HER THAT ALTHEA

1861
00:40:10,753 --> 00:40:13,134
AND STEVIE...

1862
00:40:13,134 --> 00:40:14,032
YEAH.

1863
00:40:14,032 --> 00:40:14,860
'CAUSE I WANT TO POP YOU

1864
00:40:14,860 --> 00:40:15,654
IN YOUR [bleep], BUT I CAN'T

1865
00:40:15,654 --> 00:40:16,483
BEAT YOU UP, SO I'MA HAVE

1866
00:40:16,483 --> 00:40:17,415
TO WHUP HER ASS.

1867
00:40:17,415 --> 00:40:18,174
'CAUSE SHE SAT IN MY

1868
00:40:18,174 --> 00:40:19,002
MOTHER[bleep] HOUSE--

1869
00:40:19,002 --> 00:40:20,072
I NEVER [bleep] HER.

1870
00:40:20,072 --> 00:40:20,763
I DON'T BELIEVE YOU.

1871
00:40:20,763 --> 00:40:21,867
DESTROYING MY BIKE.

1872
00:40:21,867 --> 00:40:23,144
I FEEL LIKE WE BOTH HAVE DONE

1873
00:40:23,144 --> 00:40:24,525
THINGS THAT'S WRONG ON BOTH

1874
00:40:24,525 --> 00:40:25,215
SIDES OF THE TABLE.

1875
00:40:25,215 --> 00:40:26,044
KIRK, THAT'S BULL[bleep].

1876
00:40:26,044 --> 00:40:26,872
YOU MAD ABOUT YOUR [bleep]

1877
00:40:26,872 --> 00:40:27,666
BEING BROKE.

1878
00:40:27,666 --> 00:40:28,598
I'M PISSED OFF ABOUT YOU--

1879
00:40:28,598 --> 00:40:29,599
AND THAT'S MATERIALISTIC

1880
00:40:29,599 --> 00:40:30,393
AS [bleep].

1881
00:40:30,393 --> 00:40:31,152
MATERIAL STUFF DON'T

1882
00:40:31,152 --> 00:40:31,877
BOTHER YOU?

1883
00:40:31,877 --> 00:40:32,533
MM-MM.

1884
00:40:32,533 --> 00:40:33,603
THESE ARE CHANELS, RIGHT?

1885
00:40:33,603 --> 00:40:34,328
YEAH, THEY ARE.

1886
00:40:34,328 --> 00:40:36,606
WHAT IF I JUST DID LIKE THIS?

1887
00:40:36,606 --> 00:40:37,331
KIRK.

1888
00:40:37,331 --> 00:40:38,436
HOW DO YOU FEEL ABOUT THAT?

1889
00:40:38,436 --> 00:40:39,506
SO, MIMI, I GOT THE PREVIEW

1890
00:40:39,506 --> 00:40:40,541
OF THE TAPE.

1891
00:40:40,541 --> 00:40:43,441
LET'S WATCH IT.

1892
00:40:43,441 --> 00:40:46,582
OH, MY GOD.

1893
00:40:46,582 --> 00:40:48,446
I HAVE NO WORDS.

1894
00:40:48,446 --> 00:40:49,481
OH, MY GOD.

1895
00:40:49,481 --> 00:40:50,240
SO I JUST LOOKED.

1896
00:40:50,240 --> 00:40:51,207
YEAH, IT'S REAL.

1897
00:40:51,207 --> 00:40:52,242
ARE YOU SERIOUS?

1898
00:40:52,242 --> 00:40:55,038
"RAPPER BENZINO SHOT."

1899
00:40:55,038 --> 00:40:59,215
[gunshot]

1900
00:40:59,215 --> 00:41:17,509
[heart monitor beeping]

1901
00:41:17,509 --> 00:41:18,337
YOU KNOW THOSE MATTRESSES

1902
00:41:18,337 --> 00:41:18,993
THAT WHEN YOU DO IT,

1903
00:41:18,993 --> 00:41:20,788
THEY MAKE THE--BOOM-CHINGA?

1904
00:41:20,788 --> 00:41:21,479
KARLIE.

1905
00:41:21,479 --> 00:41:22,134
HAVE YOU EVER BEEN TO A

1906
00:41:22,134 --> 00:41:22,997
HOTEL AND THAT HAPPENED?

1907
00:41:22,997 --> 00:41:23,757
YEAH, THE LA QUINTA INN.

1908
00:41:23,757 --> 00:41:25,172
NO, STUPID.

1909
00:41:25,172 --> 00:41:26,622
NO, YOU'VE NEVER BEEN--

1910
00:41:26,622 --> 00:41:27,692
THE HEADBOARD BE--

1911
00:41:27,692 --> 00:41:28,900
YEAH.

1912
00:41:28,900 --> 00:41:30,246
ARE YOU WILD WITH IT?

1913
00:41:30,246 --> 00:41:32,075
I'M ALL SENSUAL AND STUFF.

1914
00:41:32,075 --> 00:41:32,869
I'M LIKE, "I JUST WANT

1915
00:41:32,869 --> 00:41:34,181
TO KISS ALL OVER YOU.

1916
00:41:34,181 --> 00:41:35,803
I WANT TO LICK ALL OVER YOU."

1917
00:41:35,803 --> 00:41:37,425
OH, THAT'S JUST ME.

1918
00:41:37,425 --> 00:41:38,185
KARLIE.

1919
00:41:38,185 --> 00:41:39,013
[laughs]

1920
00:41:39,013 --> 00:41:39,704
WHY ARE WE TALKING

1921
00:41:39,704 --> 00:41:40,843
ABOUT THIS ON THE BED?

1922
00:41:40,843 --> 00:41:42,016
[laughing]

1923
00:41:42,016 --> 00:41:42,810
LET'S SHOP. LET'S SHOP.

1924
00:41:42,810 --> 00:41:43,604
YOU GOT CLOSE AND STUFF.

1925
00:41:43,604 --> 00:41:46,538
I'M LIKE, "FOR REAL, KARLIE?
SO WHAT'S UP?"